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THE JOURNEYMAN 1977

 

 

 

 

 

GREETINGS CITIZENS OF PLANET EARTH GREETINGS

SENTIENT BEINGS OF THE RAINBOW LIGHT

I

THAT

AM

HERE HAVE HERE

A

MESSAGE

HEARKEN

O

NAMUH

THE

HE AZIN SHE THAT IS THEE THAT IS ME

I AM THE OPPOSITE OF THE OPPOSITE I

AM THE OPPOSITE OF OPPOSITE IS THE AM

I

ALWAYS

AM

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

 

I

THAT

AM

I THAT AM THAT I

I DIVINE LOVE LOVE DIVINE I

I DEFINE LOVE LOVE DEFINE I

I EVOLVE LOVE LOVE EVOLVE I

 

 

 

 

-
STAR TREK
-
-
-
4
STAR
40
4
4
4
TREK
54
18
9
8
STAR TREK
94
22
13
-
-
9+4
2+2
1+3
8
STAR TREK
13
4
4
-
-
1+3
-
-
8
STAR TREK
4
4
4

 

 

-
STAR TREK
-
-
-
3
STA
40
4
4
1
R
18
9
9
4
TREK
54
18
9
8
STAR TREK
112
31
22
-
-
1+1+2
3+1
2+2
8
STAR TREK
4
4
4

 

 

8
STAR TREK
112
31
4
12
FIRST CONTACT
148
58
4
20
First Total
260
89
8
2+0
Add to Reduce
2+6+0
8+9
-
2
Second Total
8
17
8
-
Reduce to Deduce
-
1+7
-
2
Essence of Number
8
8
8

 

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

STAR TREK; FIRST CONTACT

Story by Rick Berman & Brannon Braga & Ronald D. Moore

Screenplay by Brannon Braga & Ronald D. Moore

1996

First

STAR TREK

FIRST CONTACT

Second

STAR TREK

FIRST CONTACT

This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.

Third

STAR TREK

FIRST CONTACT

 

 

-
FIRST CONTACT
-
-
-
1
F
6
6
6
1
I
9
9
9
1
R
18
9
9
2
ST
39
12
3
-
FIRST CONTACT
-
-
-
2
CO
18
9
9
5
NTACT
58
13
4
12
FIRST CONTACT
148
58
40
1+2
-
1+4+8
5+8
4+0
3
FIRST CONTACT
13
13
4
-
-
1+3
1+3
-
3
FIRST CONTACT
4
4
4
-
-
-
-
-
-
-
-
-
-
3
THIRTEEN
99
45
9

 

 

FIRST CONTACT

STAR TREK

A novel by J.M. Dillard based on the film

1996

STAR TREK; FIRST CONTACT

Page 43

"He'd named his ship the Phoenix.

Page 47

".........the Phoenix........."

".........the Phoenix........."

Page 48

".........the Phoenix........."

Page 54

"The Phoenix had risen"

Page 57

".........the Phoenix........."

".........the Phoenix........."

".........the Phoenix........."

Page 246

"Lily could not help but laugh delightedly along with the other settlers who had silently crept up hoping to catch a glimpse of the aliens.

The Phoenix had risen at last, and she was never coming down. . ."

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann

PHARAOH'S DREAM

Page 914

"WELL then, Pharaoh had betaken himself once more to instructive On out of unconquerable yearning to escape from the empire of Amun and commune with the shiny-pates of the sun-house about Har­makhis-Khepere-Atum-Re, Aton. The court chroniclers, puckering their lips and obsequiously crouching, mincingly entered in the record His Majesty's beautiful resolve; and how thereupon he mounted a great car made of electrum, together with Nefertiti, called Nefernefruaton, the Queen of the lands, whose body was fruitful and whose arm was about her consort; and how he had radiantly taken his beautiful way, followed in other cars by Tiy, the mother of God, Nezemmut, the Queen's sister, Baketaton, his own sister, and many chamberlains and ladies-in-waiting with ostrich-feather fans on their backs. The heavenly bark Star of the Two Lands had also been used by stretches; the chroniclers had set down how Pharaoh, sitting under his canopy, had eaten a roast pigeon, also held the bone out to the Queen and she ate from it, and how he put into her mouth sweet­meats dipped in wine.
At On, Amenhotep entered his palace in the temple, district and slept, there dreamlessly the first night, exhausted from ,the journey. The following day he began by sacrificing to Re-Horakhte with bread and beer, wine, birds, and incense. After that he listened to the Vizier of the North, who spoke before him at length, and then, regardless of the headache that had brought on, devoted the rest of the day to the much-desired talks with the priests of the God. These conferences, which at the moment greatly occupied Amenhotep's mind, had been taken up with the subject of the bird Bennu, also / Page 915 / called Offspring of Fire, because it was said that he was motherless, and moreover actually his own father, since dying and beginning were the same for him. For he burned himself up in his nest made of myrrh and came forth from the ashes again as young Bennu. This happened, some authorities said, every five hundred years; happened in fact in the temple of the sun at On, whither the bird, a heron-like eagle, purple and gold, came for the purpose from Arabia or even India. Other authorities asserted that it brought with it an egg made of myrrh, as big as it could carry, wherein it had put its deceased father, that is to say actually itself, and laid it down on the sun-altar. These two assertions might- subsist side by side- after all, there subsists so much side by side, differing things may both be true and only different expressions of the same truth. But what Pharaoh first wanted to know, what he wanted to discuss, was how much time had passed out of the five hundred years which lay between the bird and the egg; how far they were on the one hand from the last appearance and on the other from the next one; in short, at what point of the phoenix­year they stood. The majority opinion of the priests was that it must be somewhere about the riddle of the period. They reasoned that if it was still near its beginning, then some memory of the last appearance of Bennu must still exist and that was not the case. But suppose they were near the end of one period and the beginning of the next; then they must reckon on the impending or immediate return of the time-bird. But none of them counted on having the experience in his lifetime so the only remaining possibility was that they were about the middle of the period. Some of the shiny-pates went so far as to suspect that they would always remain in the middle, the mystery of the Bennu bird being precisely this: that the distance between the last appearance of the Phoenix and his next one was always the same, always a middle point. But the mystery was not in itself the important thing to Pharaoh. The burning question to be discussed, which was the object of his visit, and which then he did discuss for a whole half­day with the shiny-pates, was the doctrine that the fire-bird's myrrh egg in which he had shut up the body of his father did not thereby become heavier. For he had made it anyhow as large and heavy as he could possibly carry, and if he was still able to carry it after he had put his father's body in it, then it must follow that the egg had not thereby increased in weight.
That was an exciting and enchanting fact of world-wide importance. In young Pharaoh's eyes it was worthy of the most circum­stantial exposition. If one added to a body another body and it did not become heavier thereby, that must mean there were immaterial bodies - or differently and better put, incorporeal realities, immaterial as sunlight; or, again differently and still better put, there was the spiritual; and this spiritual was ethereally embodied in the Bennu-father, / Page 916 / whom the myrrh egg received while altering its character thereby in the most exciting and significant way. For the egg was altogether a definitely female kind of thing; only the female among birds laid eggs, and nothing could be more mother-female than the great egg out of which once the world came forth. But Bennu the sun-bird, motherless and his own father, made his own egg himself, an egg against the natural order, a masculine egg, a father-egg, and laid it as a manifestation of fatherhood, spirit, and light upon the alabaster table of the sun-divinity.
Pharaoh could not talk enough with the sun-calendar men of the temple of Re about this event and its significance for the developing nature of Aton. He discussed deep into the night, he discussed to excess, he wallowed in golden immateriality and father spirit, and when the priests were worn out and their shiny pates nodded, he was still not tired and could not summon resolution to dismiss them - almost as though he were afraid to. stay alone. But at last he did dismiss them, nodding and stumbling to their rest, -and himself sought his bedchamber."

 

 

JOSEPH AND HIS BROTHERS

Thomas Mann 1875 - 1955

PHARAOH'S DREAM

Page 914

"WELL then, Pharaoh had betaken himself once more to instructive On out of unconquerable yearning to escape from the empire of Amun and commune with the shiny-pates of the sun-house about Har­makhis-Khepere-Atum-Re, Aton. The court chroniclers, puckering their lips and obsequiously crouching, mincingly entered in the record His Majesty's beautiful resolve; and how thereupon he mounted a great car made of electrum, together with Nefertiti, called Nefernefruaton, the Queen of the lands, whose body was fruitful and whose arm was about her consort; and how he had radiantly taken his beautiful way, followed in other cars by Tiy, the mother of God, Nezemmut, the Queen's sister, Baketaton, his own sister, and many chamberlains and ladies-in-waiting with ostrich-feather fans on their backs. The heavenly bark Star of the Two Lands had also been used by stretches; the chroniclers had set down how Pharaoh, sitting under his canopy, had eaten a roast pigeon, also held the bone out to the Queen and she ate from it, and how he put into her mouth sweet­meats dipped in wine.
At On, Amenhotep entered his palace in the temple, district and slept, there dreamlessly the first night, exhausted from ,the journey. The following day he began by sacrificing to Re-Horakhte with bread and beer, wine, birds, and incense. After that he listened to the Vizier of the North, who spoke before him at length, and then, regardless of the headache that had brought on, devoted the rest of the day to the much-desired talks with the priests of the God. These conferences, which at the moment greatly occupied Amenhotep's mind, had been taken up with the subject of the bird Bennu, also / Page 915 / called Offspring of Fire, because it was said that he was motherless, and moreover actually his own father, since dying and beginning were the same for him. For he burned himself up in his nest made of myrrh and came forth from the ashes again as young Bennu. This happened, some authorities said, every five hundred years; happened in fact in the temple of the sun at On, whither the bird, a heron-like eagle, purple and gold, came for the purpose from Arabia or even India. Other authorities asserted that it brought with it an egg made of myrrh, as big as it could carry, wherein it had put its deceased father, that is to say actually itself, and laid it down on the sun-altar. These two assertions might- subsist side by side- after all, there sub­sists so much side by side, differing things may both be true and only different expressions of the same truth. But what Pharaoh first wanted to know, what he wanted to discuss, was how much time had passed out of the five hundred years which lay between the bird and the egg; how far they were on the one hand from the last appearance and on the other from the next one; in short, at what point of the phoenix­year they stood. The majority opinion of the priests was that it must be somewhere about the riddle of the period. They reasoned that if it was still near its beginning, then some memory of the last appearance of Bennu must still exist and that was not the case. But suppose they were near the end of one period and the beginning of the next; then they must reckon on the impending or immediate return of the time-bird. But none of them counted on having the experience in his lifetime so the only remaining possibility was that they were about the middle of the period. Some of the shiny-pates went so far as to suspect that they would always remain in the middle, the mystery of the Bennu bird being precisely this: that the distance between the last appearance of the Phoenix and his next one was always the same, always a middle point. But the mystery was not in itself the important thing to Pharaoh. The burning question to be discussed, which was the object of his visit, and which then he did discuss for a whole half­day with the shiny-pates, was the doctrine that the fire-bird's myrrh egg in which he had shut up the body of his father did not thereby become heavier. For he had made it anyhow as large and heavy as he could possibly carry, and if he was still able to carry it after he had put his father's body in it, then it must follow that the egg had not thereby increased in weight.
That was an exciting and enchanting fact of world-wide importance. In young Pharaoh's eyes it was worthy of the most circumstantial exposition. If one added to a body another body and it did not become heavier thereby, that must mean there were immaterial bodies - or differently and better put, incorporeal realities, immaterial as sunlight; or, again differently and still better put, there was the spiritual; and this spiritual was ethereally embodied in the Bennu-father, / Page 916 / whom the myrrh egg received while altering its character thereby in the most exciting and significant way. For the egg was altogether a definitely female kind of thing; only the female among birds laid eggs, and nothing could be more mother-female than the great egg out of which once the world came forth. But Bennu the sun-bird, motherless and his own father, made his own egg himself, an egg against the natural order, a masculine egg, a father-egg, and laid it as a manifestation of fatherhood, spirit, and light upon the alabaster table of the sun-divinity.
Pharaoh could not talk enough with the sun-calendar men of the temple of Re about this event and its significance for the developing nature of Aton. He discussed deep into the night, he discussed to excess, he wallowed in golden immateriality and father spirit, and when the priests were worn out and their shiny pates nodded, he was still not tired and could not summon resolution to dismiss them - almost as though he were afraid to. stay alone. But at last he did dismiss them, nodding and stumbling to their rest, -and himself sought his bedchamber."

 

 

THE MAGIC MOUNTAIN

Thomas Mann

1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

 

 

 

THE PHOENIX

Myth and Symbol in Ancient Egypt

R. T. Rundle Clark 1959

Page 245

"The Phoenix, known to the Egyptians as the Benu Bird, was one of the primeval forms of the High God. The Shu Texts epitomize the appearance of light and life out of the original darkness and chaos as: / Page 246 / 'that breath of life which emerged fiom the throat of the Benu Bird, the son of Re in whom Atum appeared in the primeval nought, infinity, darkness and nowhere.'

One has to imagine a perch extending out of the waters of the Abyss. On it rests a grey heron, the herald of all things to come. It opens its beak and breaks the silence of the primeval night with the call of life and destiny, which 'determines what is and what is not to be'. The Phoenix, therefore, embodies the original Logos, the Word or declaration of destiny which mediates between the divine mind and created things. It is essentially an aspect of God, self created. and not a minor deity. But the heron form is not to be taken too literally; it is a way of expressing one of the basic activities of God rather than a historical or naturalistic figure. It is the first and deepest manifestation of the 'soul' of the High God.
Underlying all Egyptian speculation is the belief that time is composed of recurrent cycles which are divinely appointed: the day, the week of ten days, the month, the year-even longer periods of 30, 400 or 1460 years, determined according to the conjunctions of sun, moon, stars and inundation. In a sense, when the Phoenix gave out the primeval call it initiated all these cycles, so it is the patron of all division of time, and its temple at Heliopolis became the centre of calendrical regulation. As the herald of each new dispensation, it becomes, optimistically, the harbinger of good tidings. During the Middle Kingdom the Benu Bird became the 'soul' of Osiris and the symbol for the planet Venus-the morning star which precedes the sun out of the Underworld and is the herald of a new day. In spite of these minor roles, however, the Benu Bird continues to be 'he who created himself' -a form of the High God. In fact, Atum...Re, Shu and Osiris meet in the bird as the symbol of the godhead in time.

Fig. 40. The Phoenix (in Coffin Text 335) (omitted)

The Egyptians had two ideas about the origin of life. The first was that it emerged in God out of the Primeval Waters; the other was, that vital essence-Hike-was brought hither from a distant, magical source. The latter was 'the Isle of Fire' -the place of everlasting light beyond the limits of the world, where the gods were born or revived and whence they were sent into the world. The Phoenix is the chief messenger from this inaccessible land of divinity. A Coffin Text makes the victorious soul say:
'I come from the Isle of Fire, having filled my body with Hike, like "that bird" who [came and] filled the world with that which it had not known.'44
So the Phoenix came from the far away world of eternal life, bringing the message of light and life to a world wrapped in
the helplessness of the primeval night. Its flight is the width of the world: 'over oceans, seas and rivers,'45
to land, at last, in Heliopolis, the symbolic centre of the earth where it will announce the new age. We are told that 'the watchers tremble' with joy when they behold it coming, with the assurance that creation is still active and the world is not yet to be reabsorbed into the Abyss. It is for this reason that Atum can say, in Chapter 17 of the Book of the Dead:

Page 248

'I am that great Benu Bird in Heliopolis, who determines what is and what is not to be.'
This great symbol, the most persuasive in the Egyptian repertoire, was misunderstood by Herodotus who, as a stranger to the inner meaning of Egyptian religion, brought it down to the level of a fairy tale:
'There is another sacred bird called the Phoenix. I have never seen it myself except in pictures, for it is extremely rare, only appearing, according to the people of Heliopolis, once in five hundred years, when it is seen after the death of its parent. If the pictures are accurate its size and appear,; ance are as follows: its plumage is partly red and partly gold, while in shape and size it is very much like an eagle. They (the Heliopolitans) tell a story about this bird which I personally find incredible: the Phoenix is said to come from Arabia, carrying the parent bird encased in myrrh; it proceeds to the temple of the sun and there buries the body. In order to do this, they say it first forms a ball as big as it can carry, then, hollowing out the ball, it inserts its (dead) parent, subsequently covering over the aperture with fresh myrrh. The ball is then exactly the same weight as it was at first. The Phoenix bears this ball to Egypt, all encased as I have said, and deposits it in the temple of the sun. Such is their myth about this bird.'46
This is very different from the hieratic figure in Chapter 83 of the Book of the Dead-the 'Spell for becoming the Benu Bird.' The soul declares:
'I flew up as the Primeval God and assumed forms­
I grew in the seed and disguised myself as the Tortoise, I am the seed corn of every god,
I am yesterday. . .
I am Horus, the god who gives light by means of his body. . .
I come as day, I appear in the steps of the gods, Page 249
I am Khons (the moon) who proceeds through the universe.
Here the Phoenix is the principle of life, not so much in any particular form but the constant divine power in all its supreme manifestations, whether natural or mythological. For the author of the rubric to this text, the Phoenix was a synthesis of the main forms of life, a general symbol to include all particular ones."

 

 

 

 

TO

THAT

HEART OF HEARTS

I

BELIEVE HELP THOU MINE UNBELIEF

O

NAMUH

YOU

ARE GOING ON

A

JOURNEY A VERY SPECIAL JOURNEY

DO HAVE A PLEASANT JOURNEY DO

 

 

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

UFO Evidence : SETI : The Search for Extraterrestrial Intelligence

There are many methods that SETI scientific teams use to search for .... tabloid nonsense instead of on far more evide-nce than has been provided for SETI. ... www.ufoevidence.org/topics/SETI.htm

Project Phoenix is the world's most sensitive and comprehensive search for extraterrestrial intelligence. It is an effort to detect extraterrestrial civilizations by listening for radio signals that are either being deliberately beamed our way, or are inadvertently transmitted from another planet. Phoenix is the successor to the ambitious NASA SETI program that was cancelled by a budget-conscious Congress in 1993.

 

 

COSMIC MESSAGE IN A BOTTLE

"A cosmic "message in a bottle" is to be left in space as a relic of the world's languages.

A disc engraved with the first three chapters of Genesis in 1,000 native tongues will travel to a distant comet. It will be carried on the European Space Agency's (Esa) Rosetta mission, set for take-off some time in 2003. The unmanned spacecraft will orbit the ball of ice, matter and dust, and then put a lander on the comet's surface. The inscription, attached to the outside of the main spacecraft, is designed to act as a relic of the languages on Earth.

Once the mission is over, the mother ship could end up circling for thousands of years until it breaks up or collides with a planet"

http://news.bbc.co.uk/2/hi/science/nature/2654755.stm

 

 

MESSAGE IN A BOTTLE

Lyrics Sting and Police

Just a castaway, an island lost at sea, oh
Another lonely day, with no one here but me, oh
More loneliness than any man could bear
Rescue me before I fall into despair, oh

Ill send an s.o.s. to the world
Ill send an s.o.s. to the world

I hope that someone gets my
I hope that someone gets my
I hope that someone gets my

Message in a bottle, yeah
Message in a bottle, yeah

A year has passed since I wrote my note
But I should have known this right from the start
Only hope can keep me together
Love can mend your life but
Love can break your heart

Ill send an s.o.s. to the world
Ill send an s.o.s. to the world

I hope that someone gets my
I hope that someone gets my
I hope that someone gets my

Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah


Walked out this morning, dont believe what I saw
Hundred billion bottles washed up on the shore
Seems Im not alone at being alone
Hundred billion castaways, looking for a home

Ill send an s.o.s. to the world
Ill send an s.o.s. to the world

I hope that someone gets my
I hope that someone gets my
I hope that someone gets my

Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah

Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.

 

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

 

 

THE PHOENIX AND THE MIRROR

Avram Davidson 1969

Page 244

CHAPTER THIRTEEN


THE RED MAN was seated, slumped, upon the ground when they reached him at last. The journey had evidently wearied him much, more than it had Vergil. Not until his blurred eyes focused on Laura did a flicker of interest show in them, and he slowly rose to his feet and prepared to mount. Vergil would have liked to take some of the scant food remaining in their packs, for, though he had drunk sweet water in a silver cup at the Cyclops' castle, he had not then thought to ask for anything to eat. But it was best to wait. Let them get well away.
Only. . .

"This is not the way we came," he called out to his guide

The Red Man shook his head slightly. "Another route. . . " his words came, faintly over his shoulder.

"That's wise. We will avoid the Troglodytes this time, I suppose?" But no answer came. He rode alongside of Laura, and spoke to her" but she had / Page 244 / little to say. Her manner was as passive as ever. Indeed, she seemed so blank and docile that Vergil felt a pang of doubt concerning his feelings for her. Could she really be little more than a lovely doll? Had Cornelia's state and beauty sapped and stunted her personality? Or was this merely a sort of protective shock?
Presently she was enough aroused to answer one or two of his questions-or, rather, to explain why it was she could not answer them. "1 do not know why they took me from the Great High Road," she said softly. "They said that Queen­that my mother had sent them, and they showed me a letter from her." .
"A forgery, doubtless. But it is very strange. . . to have brought you so far, when convenient hiding places were so much nearer. One wonders why, for what motive. Ransom?" But Laura did not know. She gazed out of her mild and lovely wine-dark eyes on the passing desert. From time to time Vergil suggested a halt, but the Red Man pressed on. Sometimes he shook his head, some­times he gestured ahead with his driving stick; he never spoke. They had grown so gradually weary that it took some time for Vergil and Laura to realize that their present route had taken them quite definitely out of and away from the Sea of Sand. They were now, and had been for some time, in a region of stones, the land rising gradually on all sides.
They were discussing this, in weary wonder, when he observed that she had closed her eyes and pressed her hand to her temple. He drew his camel in close to hers and reached out to support her.

Page 246

We must stop now," he called out. "The princess is very faint."
Without turning his head, the Red Man said,
"We are almost ,there.."

"Almost there?" Vergil felt anger rising over fatigue." Almost where? I tell you, we must stop at once!" But Ebbed-Saphir spoke only to the mounts, and they would not pause now for all of Vergil 's urgings. It was a slight shift in the wind which brought tidings of what their eyes soon enough beheld. A perfume, a fragrance, as of some garden in Cyprus. . . he thought, at first, he
dreamed. . . Then he saw it.

But it was no garden. Up, up past a wilderness of polished stones glittering in the fading sun like giant gems the trail had led them, finally diemboguling into a high plateau. And there was a great pile, as large as a house, of logs: scented cedarwood and fragrant sandalwood and trees of myrrh and . other odorous timbers of balsam and the like. Intricately carved and carpeted steps led to the
summit and there was a pavilion somewhat furnished.

"A clap of thunder, a blaze of light sounded and shone in Vergil's head. Fragments whirled and danced and, suddenly, like pieces of a mosaic, came together in a visible pattern. "Man of fire! Man- of Tyre!" a voice shouted as the Red Man dismounted and.advanced. "Phoenician? No, not Phoenician alone, but. . . "

"Phoenix" said the Red Man. His face blazed with fiery light. .
Not just a Phoenician, but a Phoenix! Not, indeed, the symbolic, metaphorical bird of legend, / Page 247 / but the actual being itself. Gone now was all semblance of fatigue; all was joyful haste, as of a man going to a long-awaited tryst. The words poured forth from him. He, too, was old-if not as old as the Cyclops-but he was mortal, and his mortality indescribably wearied him. Up and down the world and to and fro, he had been coming and going for centuries: and now his time was at hand, had been at hand for these two years past. Only the fire could liberate him from the fretting, chafing shackles of his flesh, and, by its destruction of his present body, enable him to renew his youth.

The sign of regeneration. Vergil thought. Eagle, serpent, phoenix.
Aloud, he said, "If such is your need, Captain Phoenix, then it is not for me to stand in your way."
But the other looked at him, teeth and eyes gleaming in his blazing face. "You? You are nothing but a path on which I tread. The Phoenix has no need of wizards."

"Then do what you must. Why you have brought me here, I do not at all know. Is it to kindle your pyre? The task likes me not, but-"

An-Thon Ebbed-Saphir laughed his brief scorn. "I have little time to enjoy the irony of it, but I have brought you here to pull, as it were, my chestnuts from the fire. I know the Cyclops hates me. I was not certain that you would succeed in rescuing my bride from him-"
"Your Bride?"
The Red One nodded. "Yes. . . You spoke of my need. Little do you know of it, that you ask in such / Page 248 / astonishment. Yes, the Phoenix must have a bride! And, as the Phoenix is always male, he must take his bride from among the daughters of ordinary men. Our marriage, my marriage, the marriage of the Phoenix, is not an act of venery-though in such sweatings and writhings we usually join as gladly as the rest of you. No-only the union of male and female in the fire's dissolution can result in the formation of the magical egg from which the new Phoenix will emerge. My bride!" -he turned to Laura, extending his hand-"my bride!"
With a gasp and a quivering breath, she drew back within the shelter of Vergil's arm and cloak.
"You need not fear. The pain is brief and slight, the joy is exceeding great, and in these our wedding resembles weddings of mortality and flesh. Neither fear me nor disdain me, but come sur­mount with me our matrimonial pavilion on the pyre. . . You still fear? Believe me that you need not! I will be patient a moment more, but I have not forever. " ,
Vergil said, as the setting sun cast its red reflection on the other's face, "But why, Phoenix, out of all the world of women, have you selected this one woman? You see she does not wish it, nor should , you wonder. But surely in all the world there must
be at least one who would?:'
"There is. She was. Long ago, as this girl measures time, the other pledged her troth to this mystic wedding in return for long life, for love, and for the potency to gain a throne. She gained that throne, she shared that love, she was to live as long as her Phoenix lived: . . perhaps five hundred years. . . perhaps more. . . one can never be sure."

 

 

-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
8
6
-
5
9
6
+
=
34
3+4
=
7
=
7
-
7
-
-
-
8
15
-
14
9
24
+
=
70
7+0
=
7
=
7
-
7
-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
7
-
-
5
-
-
-
+
=
12
1+2
=
3
1+0
3
-
3
-
-`
16
-
--
5
-
-
-
+
=
21
2+1
=
3
=
3
-
3
-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
16
8
15
5
14
9
24
+
=
91
9+1
=
10
1+0
1
-
1
-
-
7
8
6
5
5
9
6
+
=
46
4+6
=
10
1+0
1
-
1
-
7
P
H
O
E
N
I
X
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
6
-
-
-
6
-
-
6
occurs
x
2
=
12
1+2
3
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
--
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
10
7
P
H
O
E
N
I
X
-
-
35
-
1
7
-
46
-
28
-
-
-
-
-
-
-
9
-
-
-
3+5
-
-
-
-
4+6
-
2+8
10
7
P
H
O
E
N
I
X
-
-
8
-
1
7
-
10
-
10
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+0
-
1+0
1
7
P
H
O
E
N
I
X
-
-
8
-
-
7
-
1
-
1

 

 

-
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
-
-
-
--
-
-
-
-
-
-
-
8
6
-
5
9
6
-
1
-
8
9
5
6
+
=
63
6+3
=
9
=
9
-
2
-
--
-
8
15
-
14
9
24
`-
19
-
8
9
14
24
+
=
144
1+4+4
=
9
=
9
-
9
-
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
-
-
-
--
-
-
-
-
-
--
7
-
-
5
-
-
-
-
-
7
-
-
-
-
+
=
19
1+9
=
10
1+0
1
-
1
-
-`
-
-
--
5
-
-
-
`-
-
16
--
-
-
-
+
=
37
3+7
=
10
1+0
1
-
1
--
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
-
-
-
--
-
-
-
-
--
-
16
8
15
5
14
9
24
`-
19
16
8
9
14
24
+
=
181
1+8+1
=
10
1+0
1
-
1
--
-
7
8
6
5
5
9
6
-
1
7
8
9
5
6
+
=
82
8+2
=
10
1+0
1
-
1
-
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
--
-
-
-
-
5
5
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
3
=
15
1+5
6
--
-
-
-
6
-
-
-
6
-
-
-
-
-
-
6
-
-
6
occurs
x
3
=
18
1+8
9
--
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
9
-
-
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
9
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
36
-
1
13
-
82
-
37
-
-
-
-
-
-
-
9
-
-
-
-
-
9
-
-
-
-
3+6
-
-
1+3
-
8+2
-
3+7
9
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
9
-
1
4
-
10
-
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+0
-
1+0
9
13
P
H
O
E
N
I
X
-
S
P
H
I
N
X
-
-
9
-
-
4
-
1
-
1

 

 

A
=
1
-
1
A
1
1
1
S
=
1
-
5
SENSE
62
35
8
O
=
6
-
2
OF
21
12
3
H
=
8
-
6
HUMOUR
96
33
6
-
-
16
-
14
Add to Reduce
180
81
18
-
-
1+6
-
1+4
Reduce to Deduce
1+8+0
8+1
1+8
-
-
7
-
5
Essence of Number
9
9
9

 

 

I
=
9
-
1
I
9
9
9
H
=
8
-
4
HAVE
36
18
9
A
=
1
-
1
A
1
1
1
S
=
1
-
5
SENSE
62
35
8
O
=
6
-
2
OF
21
12
3
H
=
8
-
6
HUMOUR
96
33
6
-
-
33
-
19
First Total
225
108
36
-
-
3+3
-
1+9
Add to Reduce
2+2+5
1+0+8
3+6
-
-
6
-
10
Second Total
9
9
9
-
-
-
-
1+0
Reduce to Deduce
-
-
-
-
-
6
-
1
Essence of Number
9
9
9

 

FIRST CONTACT FIRST

 

A SENSE OF HUMOUR HAVE I A SENSE OF HUMOUR I HAVE A SENSE OF HUMOUR

 

-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
5
1
  
-
6
  
-
8
-
-
6
-
-
+
=
27
2+7
-
9
-
9
-
9
-
-
-
-
19
-
14
19
-
-
15
-
-
8
-
-
15
--
--
+
=
90
9+0
-
9
-
9
-
9
-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
5
-
-
5
-
-
6
-
-
3
4
-
3
9
+
=
36
3+6
-
9
-
9
-
9
-
-
1
-
-
5
-
-
5
-
-
6
-
-
21
13
-
21
18
+
=
90
9+0
-
9
-
9
-
9
-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
19
5
14
19
5
-
15
6
-
8
21
13
15
21
18
+
=
180
1+8+0
-
9
-
9
-
9
-
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
+
=
63
6+3
-
9
-
9
-
9
-
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
-
3
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
-
-
-
3
occurs
x
2
=
6
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
6
6
-
-
-
-
6
-
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
-
9
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
36
-
-
14
-
63
-
54
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
3+6
-
-
1+4
-
6+3
-
5+4
9
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9
-
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
-
-
-
-
-
-
-
-
-
-
9
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9

 

 

14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
5
1
  
-
6
  
-
8
-
-
6
-
-
+
=
27
2+7
-
9
-
9
-
9
-
-
-
19
-
14
19
-
-
15
-
-
8
-
-
15
--
--
+
=
90
9+0
-
9
-
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
1
-
-
5
-
-
5
-
-
6
-
-
3
4
-
3
9
+
=
36
3+6
-
9
-
9
-
9
-
1
-
-
5
-
-
5
-
-
6
-
-
21
13
-
21
18
+
=
90
9+0
-
9
-
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
1
-
19
5
14
19
5
-
15
6
-
8
21
13
15
21
18
+
=
180
1+8+0
-
9
-
9
-
9
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
+
=
63
6+3
-
9
-
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
-
-
-
3
occurs
x
2
=
6
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
6
6
-
-
-
-
6
-
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
  
-
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
-
9
14
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
36
-
-
14
-
63
-
45
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
3+6
-
-
1+4
-
6+3
-
4+5
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
-
-
-
-
-
-
-
-
-
-
5
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
5
-
9
-
9

 

 

-
19
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
-
-
-
-
-
-
1
  
5
1
-
-
6
-
-
8
-
-
6
-
-
+
=
44
4+4
-
8
-
8
-
8
-
-
9
-
8
-
-
-
-
-
-
19
-
14
19
-
-
15
-
-
8
-
-
15
-
-
+
=
107
1+0+7
-
8
-
8
-
8
-
19
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
5
-
1
-
-
5
-
-
5
-
-
6
-
-
3
4
-
3
9
+
=
46
4+6
=
10
1+0
1
-
1
-
-
-
-
-
1
22
5
-
1
-
-
5
-
-
5
-
-
6
-
-
21
13
-
21
18
+
=
118
1+1+8
=
10
1+0
1
-
1
-
19
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
1
22
5
-
1
-
19
5
14
19
5
-
15
6
-
8
21
13
15
21
18
+
=
225
1+8+0
-
9
-
9
-
9
-
-
9
-
8
1
4
5
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
+
=
90
9+0
-
9
-
9
-
9
-
19
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
4
=
4
-
4
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
-
-
-
3
occurs
x
2
=
6
-
6
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
2
=
8
-
8
-
-
-
-
-
-
-
5
-
-
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
6
-
-
-
-
6
-
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
9
19
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
36
-
-
19
-
90
-
45
-
1+9
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
3+6
-
-
1+9
-
9+0
-
4+5
9
10
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
10
-
9
-
9
-
1+0
9
-
8
1
4
5
-
1
-
1
5
5
1
5
-
6
6
-
8
3
4
6
3
9
-
-
-
-
-
1+0
-
-
-
-
9
1
I
-
H
A
V
E
-
A
-
S
E
N
S
E
-
O
F
-
H
U
M
O
U
R
-
-
9
-
-
1
-
9
-
9

 

 

Message boards : Cafe SETI ...

setiweb.ssl.berkeley.edu/forum_forum.

Fun with Numbers

 

Posted 12 Jun 2007 1:43:07 UTC
Last modified: 12 Jun 2007 2:13:56 UTC

666:


666: is the number of the Devil. If you look closely, you will see that there is never any post in any thread numbered 666 on Cafe Seti. The numbering goes to 665, then jumps to 667.


Question: Is that because the mods have been ordered to remove all 666 post numbers from the thread? Or, is this an administrative "fix" to keep the forums "Kid Friendly"? Or...is this some kind of religious cabal foisted on the forums by the Da Vinci Code guardians?

 

Posted 14 Jun 2007 2:45:31 UTC -

69

This number is often used as an example number. It is popular among hackers as an addition to metasyntactic variables (foo69, bar69). It is also notable because it is the largest number whose factorial can be calculated by a pocket calculator limited to standard scientific notation with a 2 digit exponent.

{Hahaha! Fooled ya! :-P)

 

Straight from the dictionary:

69
adj : being nine more than sixty

 

 

 

DAVID DENISON

WELCOME

13-33 PM JUNE 14 2007

 

 

 

BEHOLD THE MAN 1980

 

SIGNALS WHAT SIGNALS

SIGNALS

OF

THAT THAT THAT

HOLY

ISISISIS

 

..

I

THAT I THAT

I

AM

ISISIS

THAT I THAT

ME

THAT

EGO

THAT

CONSCIENCE

THAT YOU THAT

ISISIS HOLY ISISIS

THAT

ISISIS DIVINE THOUGHT THOUGHT DIVINE ISISIS

YOU ARE DIVINE CREATORS CREATORS DIVINE ARE YOU

ISISIS EVERYTHING EVERYTHING ISISIS

ISISIS LIFE EVERLASTING EVERLASTING LIFE ISISIS

THEREFORE THOU ART EVERLASTING LIFE LIFE EVERLASTING ART THOU THEREFORE

 

 

Every breath you take Every move you make Every bond you break Every step you take Ill be watching you

Every single day Every word you say... www.lyricsfreak.com/p/police/every+breath+you+take

 

 

EVERY BREATH YOU TAKE

Every breath you take Every move you make Every bond you break Every step you take

Ill be watching you

Every single day Every word you say Every game you play Every night you stay

Ill be watching you

Oh, cant you see You belong to me How my poor heart aches With every step you take

Every move you make Every vow you break Every smile you fake Every claim you stake

Ill be watching you

Since youve gone I been lost without a trace I dream at night I can only see your face

I look around but its you I cant replace I feel so cold and I long for your embrace I keep crying baby, baby, please...

Oh, cant you see You belong to me How my poor heart aches With every breath you take

Every move you make Every vow you break Every smile you fake Every claim you stake

Ill be watching you

Every move you make Every step you take

Ill be watching you Ill be watching you Ill be watching you Ill be watching you Ill be watching you

 

 

5
HORUS
-
-
-
-
H+O
23
14
5
-
R
18
9
9
9
U+S
40
13
4
5
HORUS
81
36
18
-
-
8+1
3+6
1+8
5
HORUS
9
9
9

 

 

-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
-
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
5
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
18
5
H
O
R
U
S
-
-
27
-
-
5
-
27
1+8
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
-
8
6
9
3
1
-
-
-
-
-
-
-
-
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

 

5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
5
H
O
R
U
S
-
-
27
-
-
5
-
27
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
8
6
9
3
1
-
-
-
-
-
-
-
-
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

SHEMSU HOR

 

 

I
=
9
-
2
IN
23
14
5
L
=
3
-
5
LIGHT
56
29
2
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
W
=
5
-
3
WOW
61
16
7
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
3
AND
19
10
1
S
=
1
-
4
SETI
53
17
8
L
=
3
-
2
LO
27
9
9
A
=
1
-
3
AND
19
10
1
B
=
2
-
6
BEHOLD
46
28
1
S
=
1
-
4
SUCH
51
15
6
A
=
1
-
1
A
1
1
1
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
2
AS
20
2
2
T
=
2
-
4
THAT
49
13
4
-
-
40
4
56
First Total
603
243
72
-
-
4+0
-
5+6
Add to Reduce
6+0+3
2+4+3
7+2
-
-
4
-
11
Second Total
9
9
9
-
-
-
-
1+1
Reduce to Deduce
-
-
-
-
-
4
-
2
Essence of Number
9
9
9

 

 

8
QUO VADIS
108
36
9
6
VOX POP
108
36
9
8
INSTINCT
108
36
9
11
DESCENDANTS
108
36
9
11
SORROW
108
36
9
8
STARTING
108
36
9
9
COMPLETES
108
36
9
7
JOURNEY
108
36
9

 

 

1
I
9
9
9
3
SAY
45
9
9
7
DECODER
54
36
9
6
DECODE
36
27
9
4
CODE
27
18
9
-
-
-
-
-
-
-
-
-
-
5
CODED
31
22
4
5
CODES
46
19
1

 

 

-
CODE
--
-
-
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODE
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
-
DECODER
--
-
-
2
D+E
9
9
9
2
C+O
18
9
9
2
D+E
9
9
9
1
R
18
9
9

 

 

CODE DE CODE

C+O D+E D+E C+O D+E

9+9+9+9+9

C+O D+E D+E C+O D+E

CODE DE CODE

 

-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
-
15
-
-
+
=
15
1+5
=
6
=
6
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
-
3
6
4
5
+
=
18
1+8
=
9
=
9
-
4
C
O
D
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
27
4
C
O
D
E
-
-
18
-
-
4
-
18
2+7
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
9
4
C
O
D
E
-
-
9
-
-
4
-
9
-
-
3
6
4
5
-
-
-
-
-
-
-
-
9
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

4
C
O
D
E
-
-
-
-
-
--
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
15
-
-
+
=
15
1+5
=
6
=
6
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
3
-
4
5
+
=
12
1+2
=
3
=
3
4
C
O
D
E
-
-
-
-
-
--
-
-
-
3
15
4
5
+
=
27
2+7
=
9
=
9
-
3
6
4
5
+
=
18
1+8
=
9
=
9
4
C
O
D
E
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
-
6
occurs
x
1
=
6
4
C
O
D
E
-
-
18
-
-
4
-
18
-
-
-
-
-``
-
-
1+8
-
-
-
-
1+8
4
C
O
D
E
-
-
9
-
-
4
-
9
-
3
6
4
5
-
-
-
-
-
-
-
-
4
C
O
D
E
-
-
9
-
-
4
-
9

 

 

-
SIGNAL
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
SIGNAL
62
35
26
-
-
6+2
3+5
2+6
7
SIGNAL
8
8
8

 

 

-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
-
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
=
8
-
-
1
9
7
5
1
3
+
=
26
2+6
=
8
=
8
-
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
2
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
2+0
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9
-
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
6
S
I
G
N
A
L
-
-
7
-
-
6
-
9

 

 

-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
+
=
20
2+0
=
2
=
2
6
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
+
=
62
6+2
=
8
-
8
-
1
9
7
5
1
3
+
=
26
2+6
=
8
-
8
6
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
-
1
occurs
x
2
=
1
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
6
S
I
G
N
A
L
-
-
25
-
-
6
-
26
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+6
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
6
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

SIGNALS WHAT SIGNALS

 

 

7
SIGNALS
81
27
9
4
WHAT
52
16
7
7
SIGNALS
81
27
9

 

 

-
SIGNALS
-
-
-
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
1
S
19
10
1
7
SIGNALS
81
45
27
-
--
8+1
4+5
2+7
7
SIGNALS
9
9
9

 

 

-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
-
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
-
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
--
--
--
--
--
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
--
--
--
--
--
-
-
-
6
SIX
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
8
-
-
--
--
--
--
--
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
2+0
-
1
-
-
-
1
-
1
-
-
2+5
-
-
-
-
2+7
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
2
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
1
9
-
5
-
-
1
+
=
16
1+6
=
7
=
7
-
19
9
-
14
-
-
19
+
=
61
6+1
=
7
=
7
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
-
-
7
-
1
3
-
+
=
11
1+1
=
2
=
2
-
-
-
7
-
1
12
-
+
=
20
2+0
=
2
=
2
7
S
I
G
N
A
L
S
-
-
-
-
-
--
-
-
-
19
9
7
14
1
12
19
+
=
81
8+1
=
9
-
9
-
1
9
7
5
1
3
1
+
=
27
2+7
=
9
-
9
7
S
I
G
N
A
L
S
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
7
-
-
-
-
-
-
7
occurs
x
1
=
7
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
S
I
G
N
A
L
S
-
-
25
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9
-
1
9
7
5
1
3
1
-
-
-
-
-
-
-
-
7
S
I
G
N
A
L
S
-
-
7
-
-
7
-
9

 

 

-
A SIGNAL
-
-
-
1
A
1
1
1
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
7
A SIGNAL
63
36
27
-
-
6+3
3+6
2+7
7
A SIGNAL
9
9
9

 

 

-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
=
3
-
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
=
3
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
=
9
-
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
=
9
-
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
2
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
--
-
-
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
--
-
-
--
--
--
--
--
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
8
-
--
-
-
--
--
--
--
--
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
2+0
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
2
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
1
9
-
5
-
-
+
=
15
1+5
=
6
=
6
-
-
-
19
9
-
14
-
-
+
=
42
4+2
=
6
=
6
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
-
-
7
-
1
3
+
=
12
1+1
=
3
-
3
-
1
-
-
-
7
-
1
12
+
=
21
2+1
=
3
-
3
7
A
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
1
-
19
9
7
14
1
12
+
=
63
6+3
=
9
-
9
-
1
-
1
9
7
5
1
3
+
=
27
2+7
=
9
-
9
7
A
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
1
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
7
A
-
S
I
G
N
A
L
-
-
25
-
-
7
-
27
-
-
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+7
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9
-
1
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
7
A
-
S
I
G
N
A
L
-
-
7
-
-
7
-
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
1
T
20
2
2
2
HA
9
9
9
1
T
20
2
2
1
S
19
10
1
1
I
9
9
9
1
G
7
7
7
3
NAL
27
9
9
11
O THAT SIGNAL
126
54
45
1+1
-
1+2+6
5+4
4+5
2
O THAT SIGNAL
9
9
9

 

 

-
O THAT SIGNAL
--
--
--
1
O
15
6
6
4
THAT
49
13
4
6
SIGNAL
62
26
8
11
O THAT SIGNAL
126
45
18
1+1
-
1+2+6
4+5
1+8
2
O THAT SIGNAL
9
9
9

 

 

-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
6
-
-
8
-
-
-
1
9
-
5
-
-
+
=
29
2+9
=
11
1+1
2
-
-
15
-
-
8
-
-
-
19
9
-
14
-
-
+
=
65
6+5
=
11
1+1
2
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
-
-
2
-
1
2
-
-
-
7
-
1
3
+
=
16
1+6
=
7
=
7
-
-
-
-
20
-
1
20
-
-
-
7
-
1
12
+
=
61
6+1
=
7
=
7
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
--
-
-
-
-
15
-
20
8
1
20
-
19
9
7
14
1
12
+
=
126
1+2+6
=
9
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
+
=
45
4+5
=
9
-
9
-
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
-
-
-
1
occurs
x
3
=
3
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
2
=
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
--
-
-
-
--
--
--
--
--
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
--
-
-
-
--
--
--
--
--
-
-
6
occurs
x
1
=
6
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
-
8
--
-
-
-
--
--
--
--
--
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
4
11
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
41
-
-
11
-
45
-
1+1
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
4+1
-
-
1+1
-
4+5
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9
-
-
6
-
2
8
1
2
-
1
9
7
5
1
3
-
-
-
-
-
-
-
-
4
2
O
-
T
H
A
T
-
S
I
G
N
A
L
-
-
5
-
-
2
-
9

 

 

FRIDAY THIRTEEN THIRTEEN FRIDAY

DAILY MAIL

Friday, July 13, 2007

Simon Cass

Back Page

"Star Trek"

Page 54

".........magic........."

"Witchcraft and Wizardry"

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

".........Sirius........."

 

 

METRO

Friday, July 13, 2007

Page 13

".........LOVE........."

Page 19

"A pilgrimage to remember"

 

Page 23

".........The Order Of The Phoenix........."

".........The Order Of The Phoenix........."

 

 

METRO

Friday, July 13, 2007

Page 29

BBC

Channel 2 Proms 8-0 pm

"Beethovens Choral Symphony"

 

 

DAILY MAIL

Friday, July 13, 2007

Geoffrey Levy and Richard Kay

Page 13

".........It was God who created people........."

".........Revelation had always been his business........."

 

 

DAILY MAIL

Friday, July 13, 2007

Jonathan Cainer

Page 50

"WE CANT just ignore the fact that it is Friday the 13th."

ARIES Mar 21 - Apr 20

"It's Friday the 13th"

TAURUS Apr 21 - May 21

"It's Friday the 13th"

GEMINI May 22 - June 22

"It's Friday the 13th"

CANCER June 23 -July 23

"It's Friday the 13th"

LEO July 24 - Aug 23

"It's Friday the 13th"

VIRGO Aug 24 - Sept 23

"It's Friday the 13th"

LIBRA Sep 24 - Oct 23

"It's Friday the 13th"

SCORPIO Oct 24 - Nov 22

"It's Friday the 13th"

SAGITTARIUS Nov 23 Dec 21

"It's Friday the 13th"

CAPRICORN Dec 22 - Jan 20

"It's Friday the 13th"

AQUARIUS Jan 21 Feb 19

"It's Friday the 13th"

PISCES Feb 20 - Mar 20

"It's Friday the 13th"

 

 

6 FRIDAY 63 36 9
5 LUCKY 72 18 9
8 THIRTEEN 99 45 9

 

 

6

 FRIDAY 63 36 9

8

 THIRTEEN 99 45 9
14
Add to Reduce
 162 81 18
1+4
Reduce to Deduce
 1+6+2 8+1 1+8

5
Essence of Number
 9 9 9
-
-
 - - -
-
-
 - - -
6 FRIDAY 63 36 9
10 THIRTEENTH 127 55 1

16
First Total
 190 91 10

1+6
Add to Reduce
 1+9+0 9+1 1+0
7
Second Total
 10 10 1
-
Reduce to Deduce
 1+0 1+0 -
7
Essence of Number
 1 1 1
-
-
 - - -
-
-
-
-
-

6

 FRIDAY 63 36 9
5 LUCKY 72 18 9
8 THIRTEEN 99 45 9
19
First Total
 234 99 27
1+9
Add to Reduce
 2+3+4 9+9 2+7
10
Second Total
 9 18 9
1+0
Reduce to Deduce
 - 1+8 -
1
Essence of Number
 9 9 9

 

 

DAILY MAIL

Friday, October 13, 2006

Page 51

LAST year, we had only one Friday the 13th. This year, we have already had one (in January) so this is our second. There will be two next year as well. Statistically, the 13th is slightly more likely to fall on a Friday than on any other day, but according to some statisticians, it is less likely to be a day of accident. . . perhaps because the date makes people more inclined to be careful. By the way, in Greece and much of the Spanish-speaking world, Friday the 13th bothers nobody - but Tuesday the 13th gives folk the heebie-jeebies!

ARIES Mar 21 - Apr 20 UH-OH! Have you seen the date?..."

"...Friday the 13th..."

TAURUS Apr 21 - May 21 "A FOUR LEAF clover..."

"...Friday the 13th..."

GEMINI May 22 - June 22 "TECHNOLOGY..."

..."despite the ominous date..."

CANCER June 23 -July 23 " I HAVE..."

"...Friday the 13th..."

LEO July 24 - Aug 23 "MANY..."

"do not have a 13th floor..."

VIRGO Aug 24 - Sept 23 "WHAT"

" a jolly good job that Halloween always falls on October 31..."

LIBRA Sep 24 - Oct 23 "IN SOME"

"...Friday the 13th..."

SCORPIO Oct 24 - Nov 22 "IN THE Hebrew calendar..."

"...Friday the 13th..."

SAGITTARIUS Nov 23 Dec 21 "THE"

" number 13" "and 13 in the"

 

CAPRICORN Dec 22 - Jan 20 "THIRTEEN is a female number (see Sagittarius). Friday is a feminine day..."

"...Friday the 13th..."

AQUARIUS Jan 21 Feb 19 THE Bible is replete with the numbers 12, 7 and 13 Arguably they are the three most 'magical' measurements Friday, to this day, is considered by millions to be the start of the Sabbath, When we start looking at the reasons why

Friday the 13th..."

PISCES Feb 20 - Mar 20 WHY do we get concerned only when a Friday falls on the 12th of the month?

Why are we not equally not excited by, for example the 13th Friday to have occurred since the beginning of the year?..."

 

 

DAILY STAR

Friday, October 13, 2006

Cameron Millar

Page 6

FRIDAY THE 13TH

...AND THIS ONES REALLY UNLUCKY

" AVOID ladders and watch out for black cats ... today's Friday 13th is the unluckiest day for 500 years.
When the individual numbers of the date are written out - 13 102006 - they add up to 13.
And that hasn't happened on a Friday the 13th since 1520.. .
It's reckoned that more than million superstitious folk world wide will have staggered out of bed today in morbid fear.
And they are in illustrious company
Britain's hero wartime leader Winston Churchill and former US president Franklin Roosevelt were also among those terrified of the fateful day Many people will have decided they cannot marry today, move .' home or change' job.
Some will refuse to eat or serve eggs laid this morning or cut their hair.
They believe that, if they do, a .family member could die.
Hotels, skyscrapers and office blocks are often given no designated 13th floor to ease the nerves of panicky customers.
Some airliners have no row 13.
The five million people who are specially terrified of Friday 13th are suffering from what is known as paraskevidekatria phobia - first named by the Greeks.
Heinrich Hemme, who teaches physics at the respected University of Aachen, Germany, warns that their terror will be intensified
because all the digits in today's date add up to 13 as well.
He said:
"The number 13 is regarded as unlucky by those who believe in divination by numerology.
"No matter which way round today's date is written, it is going to add up to 13.
"So that is particularly alarming to them."

Clover

One explanation of how 13 became regarded as unlucky is that 13 sat down to the Last Supper in the Bible.
One was traitor Judas Iscariot and his betrayal led to the crucifixion of Jesus... on a Friday.
But never fear... there are many strategies which lucky types use to avoid being struck down.
Try carrying a four-leaf clover or toss a coin into a wishing well.
If you're lucky enough to find one.

Thirteen oh so spooky facts

1 BIBLE brothers Cain and AbeI; children of Adam and Eve, are said to have fallen out on Friday 13. Cain killed Abel and was then exiled by God.

2 An aircrash in the Andes, after which survivors feasted on the flesh of dead passengers, happened on a Friday 13.

3 A Franklin Roosevelt W cancelled appointments on Friday 13 and refused to sit at tables of 13 peonle. He died minutes before midnight on Thursday April 12, 1945.

4 Pope Clement V and V King Philip IV of France chose Friday 13 to launch a crusade against the Knights Templar in 1307.

5 A Construction of English navy vessel HMS Friday started on a Friday 13. After comple­tion she set sail on a Friday in 1796 ... and vanished.

6 A The US Navy won't W launch ships on Friday 13 and some insurance companies won't cover the ones that are launched on that date.

7 A In the 1920s, 13 people sat down to dinner at London's Savoy Hotel on Friday 13. The next day their host died. Now, the hotel provides an extra seat and a statuette of a lucky black cat.

8 A There is always at least one Friday 13 in a year. This year there are two. The most recent treble fell in 1998 and the next is due in 2009

9 In Ancient Rome, and later in Britain, Friday was traditional execution day. There were 13 steps up to the gallows. But there were reportedly no executions on Friday 13 because executioners feared they would be haunted by angry ghosts.

10 A full moon on Friday 13 is extra bad luck and is said to lead to an increase in crime and mental illness.

11 The Chinese think that the number four is unluckier than 13.

12 One "lucky charm " on Friday 13 is to burn old socks on top of a mountain.

13 Or try our very own ritual... read the paper three times and chant: "Ooh, ahh Daily Star!"

NOW CROSS YER FINGERS AND TURN TO PAGE 54

Page 54

IT'S FRIDAY THE 13TH . . .

Phil Boucher

"As the latest Gein inspired movie is launched on Friday 13th, we've put together 13 facts. . ."

1 2 3 4 5 6 7 8 9 10 11 12 13

(facts omitted)

 

 

-
ONE + THREE
-
-
-
3
ONE
34
16
7
5
THREE
56
29
2
8
ONE + THREE
90
45
9
8
THIRTEEN
99
45
9

 

 

8
THIRTEEN
99
45
9

 

 

APOLLO 13

Jim Lovell & Jeffrey Kluger

"Houston, we have a problem."

 

 

THE LOST WORLDS OF 2001

Arthur C. Clarke 1972

THE ULTIMATE BOOK OF THE ULTIMATE TRIP

"2001: A SPACE ODYSSEY"

 

" Sorry to interrupt the festivities, but we have a problem,"

(HAL 9000, during Frank Poole's birthday party)

"Houston, we've had a problem."

(Jack Swigert, shortly after playing the Zarathustra theme to his TV audience, aboard

Apollo 13 Command Module Odyssey)

 

 

2061

ODYSSEY THREE

Arthur C. Clarke 1987

"THE MAGIC MOUNTAIN"

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

"THE MAGIC MOUNTAIN"

"THE MAGIC MOUNTAIN"

"The Magic Mountain"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

Page 15 (Number omitted)

"The Nine Billion Names of God"

 

 

DAILY STAR

Saturday October 14, 2006

Cameron Millar

"Fears that yesterday's Friday 13th - said to be the unluckiest for 500 years - would hit sales have proved unfounded. Punters have shrugged off warnings that when the full date is written out - 13 10 2006 - the individual numbers total 13.

"Nobody seemed bothered that it was Friday the 13th"

 

 

DAILY STAR

Friday, December 15, 2006

Page 17

Saviour wanted

A REWARD of £25,000 will be given to anyone who can help prevent a 25million ton asteroid smashing into Earth.
The space rock will pass closer to us - on Friday 13th April 2029 ­than Sky's TV satellites.
The Planetary Society is offering the reward for the best plan to fit an "electronic tag" to monitor the asteroid, known as Apophis. Blowing it up is not an option as it could shower the Earth with lethal debris.

 

 

-
GOOD FRIDAY
- - -
4
GOOD
 41 23
5
6
FRIDAY
 63 36
9
10

GOOD FRIDAY

104

59

14
1+0
-

1+0+4

5+9

 1+4
1
GOOD FRIDAY
 5 14

5
-
-

-

1+4

 -
1
GOOD FRIDAY
 5 5

5

 

 

-
GOOD FRIDAY
- - -
4
GOOD
 41 23 5
1
F
 6 6 6
1
R
 18 9 9
1
I
 9 9 9
3
DAY
 30 12 3
10

GOOD FRIDAY

104

59

32
1+0
-

1+0+4

5+9

 -
1
GOOD FRIDAY
 5 14

5
-
-

-

1+4

 -
1
GOOD FRIDAY
 5 5

5

 

 

COSMIC MESSAGE IN A BOTTLE

"A cosmic "message in a bottle" is to be left in space as a relic of the world's languages.

A disc engraved with the first three chapters of Genesis in 1,000 native tongues will travel to a distant comet. It will be carried on the European Space Agency's (Esa) Rosetta mission, set for take-off some time in 2003. The unmanned spacecraft will orbit the ball of ice, matter and dust, and then put a lander on the comet's surface. The inscription, attached to the outside of the main spacecraft, is designed to act as a relic of the languages on Earth.

Once the mission is over, the mother ship could end up circling for thousands of years until it breaks up or collides with a planet"

Tuesday 14, January, 2003 21-36 GMT

http://news.bbc.co.uk/2/hi/science/nature/2654755.stm

 

 

7
MESSAGE
69
24
6
2
IN
23
14
5
1
A
1
1
1
6
BOTTLE
74
20
2
16
First Total
167
59
14
1+6
Add to Reduce
1+6+7
5+9
1+4
7
Second Total
14
14
5
-
Reduce to Deduce
1+4
1+4
-
7
Essence of Number
5
5
5

 

 

DAILY MAIL

Wednesday, February 21, 2007

Telivision Film

Critic's Choice

Page 64

9pm, Five

"MESSAGE IN A BOTTLE"

Page 65

9.00 FILM: Message in a Bottle (1999)

 

 

1
I
9
9
9
2
ME
18
9
9
4
EYES
54
18
9
-
-
-
-
-
-
-
-
-
-
1
I
9
9
9
2
IS
28
10
1
3
ISH
36
18
9
4
ISIS
56
20
2
6
ISH-ISH
72
36
9

 

 

THE LOST LANGUAGE OF SYMBOLISM

Harold Bayley 1912

Page 278

"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."

 

-
ISH-ISH
-
-
-
1
I
9
9
9
2
SH
27
18
9
1
I
9
9
9
2
SH
27
18
9
6
ISH-ISH
72
36
9
-
-
-
-
-
-
-
-
-
-
4
ISHI
45
36
9
5
RISHI
63
36
9
5
IRISH
63
36
9
7
HASHISH
72
36
9

Page 278

"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."

 

HOLY BIBLE

Scofield References

Page 922

C 2 V 16

AND IT SHALL BE AT THAT DAY, SAITH THE LORD, THAT THOU SHALT CALL ME

ISHI

 

-
ISHI
-
-
-
1
I
9
9
9
2
SH
27
18
9
1
I
9
9
9
4
ISHI
45
36
9
-
-
4+5
3+6
-
4
ISHI
9
9
9

 

 

THE LOST LANGUAGE OF SYMBOLISM

Harold Bayley 1912

Page 278

"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH, was Egyptian for Light-Light."

 

6
ISH-ISH
72
36
9
4
ISHI
45
36
9

 

Page 278

"ONE-EYE, TWO-EYES, THREE-EYES"

"According to the authors of The Perfect Way, the words IS and ISH originally meant Light, and the name ISIS, once ISH-ISH,

 

 

MAAT ATMA ATMA MAAT

 

 

My little man. Thou shalt have a fish, Thou shalt have a fin, Thou shalt have a haddock When the boat comes in; Thou shalt have a codling Boiled in a pan - ...
www.contemplator.com/sea/daddy.html

This song also appears with slight variation in the name. It was a broadside printed in the Newcastle Songster as Dance to Thee Daddy. It was printed in a collection of ballads from Northern England by William Watson (died 1840) as Dance ti' thy Daddy.* This version was collected in Berkshire and appears in a Cecil Sharp collection (1909).

Dance to your daddy,
My little laddie,
Dance to your daddy,
My little man.
Thou shalt have a fish,
Thou shalt have a fin,
Thou shalt have a haddock
When the boat comes in;
Thou shalt have a codling
Boiled in a pan -
Dance to your daddy,
My little man.

Dance to your daddy,
My little laddie,
Dance to your daddy,
My little lamb.
When thou art a man
And fit to take a wife,
Thou shalt wed a maid
And love her all your life;
She shall be your lassie,
Thou shalt be her man
Dance to your daddy, My little lamb.

 

 

5
RISHI
63
36
9
4
FISH
42
24
6
3
OIL
36
18
9
12
First Total
141
78
24
1+2
Add to Reduce
1+4+1
7+8
2+4
3
Second Total
6
15
6
-
Reduce to Deduce
-
1+5
-
3
Essence of Number
6
6
6

 

 

5
RISHI
63
36
9
1
F
6
6
6
3
ISH
36
18
9
3
OIL
36
18
9
12
First Total
141
78
33
1+2
Add to Reduce
1+4+1
7+8
3+3
3
Second Total
6
15
6
-
Reduce to Deduce
-
1+5
-
3
Essence of Number
6
6
6

 

 

-
RISHI-F-ISH OIL
-
-
-
1-
R
18
9
9
1
I
9
9
9
2
S+H
27
18
9
1
I
9
9
9
1
F
6
6
6
1
I
9
9
9
2
S+H
27
18
9
3
OIL
36
18
9
12
RISHI-F-ISH OIL
141
96
69
1+2
-
1+4+1
9+6
6+9
3
RISHI-F-ISH OIL
6
15
15
-
-
-
1+5
1+5
3
RISHI-F-ISH OIL
6
6
6

 

 

THE HOLY BIBLE

Scofield References

Page 1145

C 21 V 11

SIMON PETER

WENT UP, AND DREW THE NET TO LAND FULL OF GREAT FISHES,

AN

HUNDRED AND FIFTY AND THREE

AND FOR ALL THERE WERE SO MANY, YET WAS NOT THE NET BROKEN.

 

 

7
HUNDRED
74
38
2
3
AND
19
10
1
5
FIFTY
66
30
3
3
AND
19
10
1
5
THREE
56
29
2
23
-
234
117
9
2+3
-
2+3+4
1+1+7
  
5
-
9
9
9
-
-
-
-
-
-
-
-
-
-
5
GREAT
51
24
6
6
FISHES
66
30
3
11
-
117
54
9
1+1
-
1+1+7
5+4
-
2
-
9
9
9

 

153 x 12 = 1836 = 12 x 153

 

CITY OF REVELATION

John Michell 1973

Page 95

C

NINE

The Literary Canon; 153 Fishes in the Net

Simon Peter went up and drew the net to land full of great fishes, one hundred and fifty and three' (John 21.11)

 

 

3
ONE
34
16
7
7
HUNDRED
74
38
2
5
FIFTY
66
30
3
3
AND
19
10
1
5
THREE
56
29
2
6
FISHES
66
30
3
29
-
315
153
18
2+9
-
3+1+5
1+5+3
1+8
11
-
9
9
9
1+1
-
-
-
-
2
-
9
9
9

 

 

Thou shalt have a fishy on a little dishy, Thou shalt have a haddock when the boat comes in. Dance to thy Daddy, sing to thy Mammy, dance to thy Daddy, ...
www.kingssing.de/song/915/

 

Dance to thy Daddy,
sing to thy Mammy,
dance to thy Daddy,
to thy Mammy sing;

Come here me little Jacky,
now ah've smoked me baccy,
let's hev a bit of cracky,
till the boat comes in.

Dance to thy Daddy,
sing to thy Mammy,
dance to thy Daddy,
to thy Mammy sing.

Thou shalt have a fishy
on a little dishy,
Thou shalt have a fishy
when the boat comes in.

Here's thy mother humming,
Like a canny woman;
Yonder comes thy father,
Drunk - he cannot stand.

Dance to thy Daddy,
sing to thy Mammy,
dance to thy Daddy,
to thy Mammy sing.

Thou shalt have a fishy
on a little dishy,
Thou shalt have a haddock
when the boat comes in.

Dance to thy Daddy,
sing to thy Mammy,
dance to thy Daddy,
to thy Mammy sing.

Our Tommy's always fuddling,
he's so fond of ale,
but he's kind to me,
I hope he'll never fail.

Dance to thy Daddy,
sing to thy Mammy,
dance to thy Daddy,
to thy Mammy sing.

Thou shalt have a fishy
on a little dishy,
Thou shalt have a mackerel
when the boat comes in.

I like a drop myself,
when I can get it sly,
and thou, my bonny bairn,
will like't as well as I.

Dance to thy Daddy,
sing to thy Mammy,
dance to thy Daddy,
to thy Mammy sing.

Thou shalt have a fishy
on a little dishy,
Thou shalt have a salmon
when the boat comes in.

Dance to thy Daddy,
sing to thy Mammy,
dance to thy Daddy,
to thy Mammy sing.

Thou shalt have a fishy
on a little dishy,
Thou shalt have a fishy
when the boat comes in.

 

4 ISHI 45 27 9
7 RISHI 63 36 9
2 SHAH 36 9 9
7 HASHISH 72 36 36

 

ISHI TELL IRISH RISHI HOW MANY FISH DIED THE DEATH

 

 

RISHI

Rishi: Hindu - Hinduism Dictionary on Rishi

rishi: (Sanskrit) "Seer."

"A term for an enlightened being, emphasizing psychic perception and visionary wisdom. In the Vedic age, rishis lived in forest or mountain retreats, either alone or with disciples. These rishis were great souls who were the inspired conveyers of the Vedas. Seven particular rishis (the sapta-rishis) mentioned in the Rig Veda are said to still guide mankind from the inner worlds."

See: shruti.

(See also: Rishi , Hinduism, Body Mind and Soul)

http://www.experiencefestival.com/a/Rishi/id/61594

 

 

-
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
-
9
1
8
9
+
=
27
2+7
=
9
=
9
-
9
-
-
-
9
19
8
9
+
=
45
4+5
=
9
=
9
-
9
-
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
9
-
-
-
-
+
=
9
-
=
9
=
9
-
9
-
-
18
-
-
-
-
+
=
18
1+8
=
9
=
9
-
9
-
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
18
9
19
8
9
+
=
63
6+3
=
9
=
9
-
9
-
-
9
9
1
8
9
+
=
36
3+6
=
9
=
9
-
9
-
5
R
I
S
H
I
T
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-``
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
7
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
8
occurs
x
1
=
8
=
8
-
-
9
9
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
27
5
R
I
S
H
I
-
-
18
-
-
5
-
36
-
18
2+7
-
9
9
-
-
9
-
-
1+8
-
-
-
-
3+6
-
1+8
9
5
R
I
S
H
I
-
-
9
-
-
5
-
9
-
9

 

 

-
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
-
9
1
8
9
+
=
27
2+7
=
9
=
9
-
9
-
-
-
9
19
8
9
+
=
45
4+5
=
9
=
9
-
9
-
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
9
-
-
-
-
+
=
9
-
=
9
=
9
-
9
-
-
18
-
-
-
-
+
=
18
1+8
=
9
=
9
-
9
-
5
R
I
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
18
9
19
8
9
+
=
63
6+3
=
9
=
9
-
9
-
-
9
9
1
8
9
+
=
36
3+6
=
9
=
9
-
9
-
5
R
I
S
H
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-``
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
8
-
-
-
8
occurs
x
1
=
8
=
8
-
-
9
9
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
27
5
R
I
S
H
I
-
-
18
-
-
5
-
36
-
18
2+7
-
9
9
-
-
9
-
-
1+8
-
-
-
-
3+6
-
1+8
9
5
R
I
S
H
I
-
-
9
-
-
5
-
9
-
9

 

 

http://en.wikipedia.org/wiki/Rishi

RISHI

ETYMOLOGY

The word's etymology is unknown. It has an Avestan cognate ərəšiš (Yasna 31.5) "an ecstatic" (see also Yurodivy, Vates). Monier-Williams tentatively suggests derivation from drś "to see"(1) and he also compares Old Irish arsan, "a sage, a man old in wisdom". Manfred Mayrhofer in his Etymological Dictionary prefers a connection to either (omitted) "pour, flow" (PIE) *h1ers), or to ras "yell".

In the Vedas, the word denotes a singer of sacred hymns, an inspired poet or sage, or any person who alone or with others invokes the deities in rhythmical speech or song of a sacred character. In particular, it refers to the authors of the hymns of the Rigveda, e.g. Kutsa, Atri, Rebha, Agastya,Kushika, Vasishtha, Vyashva. Later generations regarded the Rishis as patriarchal sages or saints, occupying the same position in India history as the heroes and patriarchs of other countries, constituting a peculiar class of beings in the early mythical system, as distinct from Asuras, Devas and mere mortal men.

Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas and later works as typical representatives of the character and spirit of the pre-historic or mythical period; in Shatapatha Brahmana 14.5.2.6, their names are Gautama, Bharadvaja, Vishvamitra, Jamadagni, Vasishtha, Kashyapa, and Atri. In Mahabharata 12, on the other hand, Marici, Atri, Angiras, Pulaha, Kratu, Pulastya and Vasishtha. In addition to the Saptarshi, there are other classifications of sages. In descending order of precedence, they are Brahmarshi, Maharshi, Rajarshi.

In Vedic astronomy, the Saptarshi form the constellation of Ursa Maior (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarshi may stand for the seven senses or the seven vital airs of the body.

"Seven Rishis (the Saptarshi) are often mentioned in the Brahmanas"

"In Vedic astronomy, the Saptarshi form the constellation of Ursa Maior"

"Saptarshi may stand for the seven senses or the seven vital airs of the body"

 

SAPTARSHI # A PAST RISH

SAPTARSHI # A STARSHIP

 

 

-
SAPTARSHI
-
-
-
3
S+A+P
36
18
9
2
T+A
21
3
3
4
R+S+H+I
27
18
9
9
SAPTARSHI
111
39
21
-
-
1+1+1
3+9
2+1
3
-
3
12
3
-
-
-
1+2
-
9
SAPTARSHI
3
3
3
-
-
-
-
-
-
-
-
-
-
9
SAPTARSHI
111
39
3
9
A STARSHIP
111
39
3

 

SAPTARSHI # A STARSHIP

SAPTARSHI # A PAST RISH

 

-
SAPTARSHI
-
-
-
2
S+A
20
11
2
2
P+T
36
9
9
1
A
1
1
1
1
R
18
9
9
2
SH
27
18
9
1
I
9
9
9
9
SAPTARSHI
111
57
39
-
-
1+1+1
5+7
3+9
3
-
3
12
12
-
-
-
1+2
1+2
9
A STARSHIP
3
3
3

 

 

SAPTARSHI A STAR SHIP A STAR SHIP SAPTARSHI

 

 

-
A STARSHIP
-
-
-
1
A
1
1
1
3
S+T+A
40
13
4
1
R
18
9
9
1
SH
27
18
9
 
I
9
9
9
1
P
16
7
7
9
A STARSHIP
111
57
39
-
-
1+1+1
5+7
3+9
9
A STARSHIP
3
12
12
-
-
-
1+2
1+2
9
SAPTARSHI
3
3
3

 

SAPTARSHI # A PAST RISH

SAPTARSHI # A STARSHIP

 

--
9
S
A
P
T
A
R
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
1
-
-
-
-
-
1
8
9
+
=
19
1+9
=
10
1+0
1
=
1
-
-
19
-
-
-
-
-
19
26
9
+
=
55
5+5
=
10
1+0
1
=
1
--
9
S
A
P
T
A
R
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
-
1
7
2
1
9
-
-
-
+
=
20
2+0
=
2
=
2
=
2
-
-
-
1
16
20
1
18
-
-
-
+
=
56
5+6
=
11
1+1
2
=
2
--
9
S
A
P
T
A
R
S
H
I
-
-
-
-
-
--
-
-
-
-
-
-
19
1
16
20
1
18
19
8
9
+
=
111
1+1+1
=
3
=
3
=
3
-
-
1
1
7
2
1
9
1
8
9
+
=
39
3+9
=
12
1+2
3
=
3
-
9
S
A
P
T
A
R
S
H
I
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
1
-
1
-
-
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
8
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
9
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
18
9
S
A
P
T
A
R
S
H
I
-
-
27
-
-
9
-
39
-
30
1+8
-
-
-
-
-
-
9
-
-
9
-
-
2+7
-
-
-
-
3+9
-
3+0
9
9
S
A
P
T
A
R
S
H
I
-
-
9
-
-
9
-
12
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1+2
-
-
9
9
S
A
P
T
A
R
S
H
I
-
-
9
-
-
9
-
3
-
3

 

 

http://en.wikipedia.org/wiki/Rishi

WIKEPEDIA

 

RISHI

n Vedic astronomy, the Saptarshi form the constellation of Ursa Major (e. g. RV 10.82.2; AV. 60.40.1. Metaphorically the Saptarshi may stand for the seven senses or the seven vital airs of the body.

 

 

1
I
9
9
9
2
IS
28
19
1
4
ISIS
56
20
2
6
OSIRIS
89
35
8
4
IRIS
55
28
1
6
SIRIUS
95
32
5
6
SOTHIS
90
27
9
-
-
-
-
-
-
-
-
-
-
4
ISHI
45
27
9
5
RISHI
63
36
9
5
IRISH
63
36
9

 

 

1
I
9
9
9
2
AM
14
5
5
3
THE
33
15
6
6
BOWMAN
68
23
5
1
I
9
9
9
4
DRAW
46
19
1
3
THE
33
15
6
5
GREAT
51
24
6
3
BOW
40
13
4
28
Add to Reduce
303
132
51
10
Reduce to Deduce
3+0+3
1+3+2
5+1
1
Essence of Number
6
6
6

 

 

-
QUO VADIS
-
-
-
1
Q
17
8
8
2
UO
36
9
9
3
VAD
27
9
9
1
I
9
9
9
1
S
19
1
1
8
QUO VADIS
108
36
9
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

-
QUO VADIS
-
-
-
3
QUO
53
17
8
5
VADIS
55
19
1
8
QUO VADIS
108
36
9
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

8
QUO VADIS
108
36
9

 

 

8
QUO VADIS
108
36
9
-
-
-
-
-
-
-
-
-
-
7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Contents [hide]
1 Literature
2 Stage, film and TV
3 Art and architecture
4 Games
5 Other
6 Trivia


Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). The most famous use is in the Apocryphal Acts of Peter.

The phrase's context is used in a literal or metaphorical sense when an individual has left or is leaving for a long time and/or distance.

Quo vadis may also refer to:


[edit] Literature
Quo vadis (novel): a renowned 1895 novel by Henryk Sienkiewicz

[edit] Stage, film and TV
Quo Vadis (1900 play): A Broadway play that opened at the New York Theatre on April 9, 1900. It was produced by F. C. Whitney and written for the stage by Hugh Stanislaus Stange from the Henryk Sienkiewicz novel.
Quo Vadis (1902 film): a French silent version directed by Lucien Nonguet and Ferdinand Zecca, no cast credited.
Quo Vadis 1909 opera by Jean Nouges.
Quo Vadis (1912 film): an Italian silent version, adapted and directed by Enrico Guazzoni, starring Amelia Cattaneo, Carlo Cattaneo, Lea Giunchi and Giovanni Gizzi. Regarded by film historians as the first successful feature-length motion picture, it inspired D. W. Griffith to make The Birth of a Nation.
Quo Vadis (1924 film): an Italian silent film starring Elga Brink, Rina De Liguoro, Lillian Hall-Davis, Emil Jannings and Elena Sangro. It was adapted and directed by Gabriellino D'Annunzio and Georg Jacoby and produced by Arturo Ambrosio.
Quo Vadis (1951 film): a lavish MGM production, directed by Mervyn LeRoy and starring Robert Taylor, Deborah Kerr and Peter Ustinov.
Quo Vadis (1985 film): a television mini-series starring Klaus Maria Brandauer, Frederic Forrest, Marie Therese Relin and Francesco Quinn. It was directed by Franco Rossi and written by Ennio De Concini, Francesco Scardamaglia and Franco Rossi.
Quo Vadis (2001 film): a Polish language version, directed by Jerzy Kawalerowicz and starring Pawel Delag, Magdalena Mielcarz, Boguslaw Linda and Michal Bajor.
As a quote, "Quo Vadis, Capt. Chandler?" from a 1975 episode of M*A*S*H.
Stitched on the back of Gene from Eugene's shirt (Jeremy Davies') shirt in Werner Herzog's film Rescue Dawn.

"Domine, Quo Vadis" by Annibale Carracci.
[edit] Art and architecture
Quo Vadis (church): The "Chiesa del Domine Quo Vadis?"
The painting "Domine, Quo Vadis" ("Whither goest thou, Lord?") by Annibale Carracci

[edit] Games
Quo Vadis (board game): A German-style board game by Reiner Knizia
Quo Vadis (1984 game): A 1984 computer game released for the Commodore 64
Quo Vadis (video game): A Japanese wargame for the Sega Saturn

[edit] Other
Quo Vadis (band): A Canadian death metal band
Quo Vadis (Polish band): A Polish thrash metal band
Quo Vadis (automobile): A French automobile produced from 1921 to 1923
Quo Vadis (newspaper) ([1]): The campus newspaper of Middlesex County College
Quo Vadis (movie theater): A now-shuttered cinema in Westland, MI
Quo Vadis (restaurant): An Italian restaurant in Wakefield, United Kingdom
Quo Vadis (restaurant): An Italian restaurant in Swan Hill, Australia
Quo Vadis (public house): A Public house in Cardonald, Glasgow
Quo Vadis (song): A song by the Japanese band Deadman ,on the "No alternative" album.
Quo Vadis (brand): The name of a range of footwear released in India by Bata Shoes.
Quo Vadis (haircut): The name of a style of haircut, where the hair is trimmed very short, popular among some African-American men.
Quo vadis (specialty sandwich): A sausage patty, topped with salami, ham,white american cheese, lettuce, tomato, onion, mayo.and spiced olive oil on a butter toasted bun. Only at george's lounge, canton, ohio. by big joe

[edit] Trivia
Quo Vadis is the title of the Yearbook of the High School in O.B. Montessori Center Inc.

 

 

I
=
9
-
2
IN
23
14
5
L
=
3
-
5
LIGHT
56
29
2
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
W
=
5
-
3
WOW
61
16
7
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
3
AND
19
10
1
S
=
1
-
4
SETI
53
17
8
L
=
3
-
2
LO
27
9
9
A
=
1
-
3
AND
19
10
1
B
=
2
-
6
BEHOLD
46
28
1
S
=
1
-
4
SUCH
51
15
6
A
=
1
-
1
A
1
1
1
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
2
AS
20
2
2
T
=
2
-
4
THAT
49
13
4
-
-
40
4
56
First Total
603
243
72
-
-
4+0
-
5+6
Add to Reduce
6+0+3
2+4+3
7+2
-
-
4
-
11
Second Total
9
9
9
-
-
-
-
1+1
Reduce to Deduce
-
-
-
-
-
4
-
2
Essence of Number
9
9
9

 

 

8
QUO VADIS
108
36
9
6
VOX POP
108
36
9
11
SORROW
108
36
9
8
INSTINCT
108
36
9
11
DESCENDANTS
108
36
9
8
STARTING
108
36
9
9
COMPLETES
108
36
9
7
JOURNEY
108
36
9

 

 

I

AM

THE

OPPOSITE OF THE OPPOSITE

I

AM

THE

OPPOSITE OF OPPOSITE

IS

THE

AM I ALWAYS AM

 

 

NAMASTE

 

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name.He said “Good morning”, I the same ... rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5).

Quo vadis may also refer to:

Quo vadis (novel): a renowned 1895 novel by Henryk Sienkiewicz

Quo Vadis (1900 play): A Broadway play that opened at the New York Theatre on April 9, 1900.
Quo Vadis (1902 film): a French silent version directed by Lucien Nonguet and Ferdinand Zecca, no cast credited.
Quo Vadis 1909 opera by Jean Nouges.
Quo Vadis (1912 film): an Italian silent version, adapted and directed by Enrico Guazzoni,
Quo Vadis (1924 film): an Italian silent film starring Elga Brink, Rina De Liguoro, Lillian Hall-Davis, Emil Jannings and Elena Sangro.
Quo Vadis (1951 film): a lavish MGM production, directed by Mervyn LeRoy
Quo Vadis (1985 film): a television mini-series starring Klaus Maria Brandauer, Frederic Forrest, Marie Therese Relin
Quo Vadis (2001 film): a Polish language version, directed by Jerzy Kawalerowicz and starring Pawel Delag, Magdalena Mielcarz,
As a quote, "Quo Vadis, Capt. Chandler?" from a 1975 episode of M*A*S*H.
"Domine, Quo Vadis" by Annibale Carracci. [edit] Art and architecture
Quo Vadis (church): The "Chiesa del Domine Quo Vadis?"
The painting "Domine, Quo Vadis" ("Whither goest thou, Lord?") by Annibale Carracci

[edit] Games
Quo Vadis (board game): A German-style board game by Reiner Knizia
Quo Vadis (1984 game): A 1984 computer game released for the Commodore 64
Quo Vadis (video game): A Japanese wargame for the Sega Saturn

[edit] Other
Quo Vadis (band): A Canadian death metal band
Quo Vadis (Polish band): A Polish thrash metal band
Quo Vadis (automobile): A French automobile produced from 1921 to 1923
Quo Vadis (newspaper) ([1]): The campus newspaper of Middlesex County College
Quo Vadis (movie theater): A now-shuttered cinema in Westland, MI
Quo Vadis (restaurant): An Italian restaurant in Wakefield, United Kingdom
Quo Vadis (restaurant): An Italian restaurant in Swan Hill, Australia
Quo Vadis (public house): A Public house in Cardonald, Glasgow
Quo Vadis (song): A song by the Japanese band Deadman ,on the "No alternative" album.
Quo Vadis (brand): The name of a range of footwear released in India by Bata Shoes.
Quo Vadis (haircut): The name of a style of haircut, where the hair is trimmed very short,
Quo vadis (specialty sandwich): A sausage patty, topped with salami, ham,white american cheese, lettuce, tomato, onion, mayo.

[edit] Trivia
Quo Vadis is the title of the Yearbook of the High School in O.B. Montessori Center Inc.

 

 

1
8
QUO VADIS
108
36
9
2
8
QUO VADIS
108
36
9
3
8
QUO VADIS
108
36
9
4
8
QUO VADIS
108
36
9
5
8
QUO VADIS
108
36
9
6
8
QUO VADIS
108
36
9
7
8
QUO VADIS
108
36
9
8
8
QUO VADIS
108
36
9
9
8
QUO VADIS
108
36
9
10
8
QUO VADIS
108
36
9
11
8
QUO VADIS
108
36
9
12
8
QUO VADIS
108
36
9
13
8
QUO VADIS
108
36
9
14
8
QUO VADIS
108
36
9
15
8
QUO VADIS
108
36
9
16
8
QUO VADIS
108
36
9
17
8
QUO VADIS
108
36
9
18
8
QUO VADIS
108
36
9
19
8
QUO VADIS
108
36
9
20
8
QUO VADIS
108
36
9
21
8
QUO VADIS
108
36
9
22
8
QUO VADIS
108
36
9
23
8
QUO VADIS
108
36
9
24
8
QUO VADIS
108
36
9
25
8
QUO VADIS
108
36
9
26
8
QUO VADIS
108
36
9
27
8
QUO VADIS
108
36
9
28
8
QUO VADIS
108
36
9
29
8
QUO VADIS
108
36
9
30
8
QUO VADIS
108
36
9
31
8
QUO VADIS
108
36
9
32
8
QUO VADIS
108
36
9
33
8
QUO VADIS
108
36
9
34
8
QUO VADIS
108
36
9
35
8
QUO VADIS
108
36
9
36
8
QUO VADIS
108
36
9

 

 

-
QUO VADIS
-
-
-
3
QUO
53
17
8
5
VADIS
55
19
1
8
QUO VADIS
108
36
9
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
-
15
-
-
-
-
9
19
+
=
43
-
=
7
-
7
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
8
3
-
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
-
17
21
-
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
17
21
15
-
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
-
8
3
6
-
4
1
4
9
1
+
=
36
3+6
=
9
-
9
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
5
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
14
8
Q
U
O
-
V
A
D
I
S
-
-
31
-
-
8
-
36
1+4
-
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
5
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9
-
-
8
3
6
-
4
1
4
9
1
-
-
-
-
-
-
-
-
5
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
15
-
-
-
-
9
19
+
=
43
-
=
7
-
7
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
8
3
-
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
17
21
-
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
17
21
15
-
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
8
3
6
-
4
1
4
9
1
+
=
36
3+6
=
9
-
9
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
-
-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
8
Q
U
O
-
V
A
D
I
S
-
-
31
-
-
8
-
36
-
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9
-
8
3
6
-
4
1
4
9
1
-
-
-
-
-
-
-
-
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
15
-
-
-
9
19
+
=
43
-
=
7
-
7
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
8
3
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
17
21
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
17
21
15
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
8
3
6
4
1
4
9
1
+
=
36
3+6
=
9
-
9
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
8
Q
U
O
V
A
D
I
S
-
-
31
-
-
8
-
36
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
8
Q
U
O
V
A
D
I
S
-
-
4
-
-
8
-
9
-
8
3
6
4
1
4
9
1
-
-
-
-
-
-
-
-
8
Q
U
O
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
QUO VADIS
108
36
9
-
-
-
-
-
-
-
-
-
-
7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

8
QUO VADIS
108
36
9

 

 

 

 

10
PRECESSION
123
69
6
2
OF
21
12
3
3
THE
33
15
6
9
EQUINOXES
129
57
3
24
Add to Reduce
306
153
18
2+4
Reduce to Deduce
3+0+6
1+5+3
1+8
6
Essence of Number
9
9
9

 

 

-
OSIRIS ISIS SET
-
-
-
8
OSIRIS
89
44
8
4
ISIS
56
38
2
3
SET
44
17
8
15
SET ISIS OSIRIS
189
99
18
1+5
  
1+8+9
9+9
1+9
6
ISIS OSIRIS SET
18
18
9
-
-
1+8
1+8
-
6
OSIRIS SET ISIS
9
9
9
-
-
-
-
-
8
NAMES OF GOD
99
45
9

 

 

3
RED
27
18
9
6
SET
44
17
8

 

 

6
OSIRIS
89
35
8
-
8 x 9
72
7+2
9
6
OSIRIS
89
35
8

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
Q
2+0
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
-
-
-
-
-
9
-
-
-
1+0
-
-
-
Q
2+0
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

KEEPER OF GENESIS

A

QUEST

FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock

1996

Return to the Beginning

Page 283

'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .

I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .

I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either full or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'

Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)

 

 

3
THE
33
15
6
5
HOURS
81
27
9
2
OF
21
12
3
5
HORUS
81
27
9
15
Add to Reduce
216
81
27
1+5
Reduce to Deduce
2+1+6
8+1
2+7
6
Essence of Number
9
9
9

 

 

5
HORUS
81
36
9
3
SUN
54
18
9

 

 

5
HOURS
81
27
9
2
OF
21
12
3
5
HORUS
81
27
9
12
First Total
183
66
21
1+2
Add to Reduce
1+8+3
6+6
2+1
3
Second Total
12
12
3
-
Reduce to Deduce
1+2
1+2
-
3
Essence of Number
3
3
3

 

 

3
OUR
54
18
9
5
HORUS
-
-
-
-
H+O
23
14
5
-
R
18
9
9
9
U+S
40
13
4
5
HORUS
81
36
18
-
-
8+1
3+6
1+8
5
HORUS
9
9
9

 

 

5
HORUS
81
27
9
3
THE
33
15
6
6
GOLDEN
57
30
3
5
CHILD
36
27
9
19
First Total
207
99
27
1+9
Add to Reduce
2+0+7
9+9
2+7
10
Second Total
9
18
9
1+0
Reduce to Deduce
-
1+8
-
1
Essence of Number
9
9
9

 

 

5
HORUS
-
-
-
-
H+O
23
14
5
-
R
18
9
9
9
U+S
40
13
4
5
HORUS
81
36
18
-
-
8+1
3+6
1+8
5
HORUS
9
9
9

 

 

-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
-
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
5
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
18
5
H
O
R
U
S
-
-
27
-
-
5
-
27
1+8
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
-
8
6
9
3
1
-
-
-
-
-
-
-
-
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

 

-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
6
-
-
1
+
=
15
1+5
=
6
=
6
-
-
8
15
-
-
19
+
=
42
4+2
=
6
=
6
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
-
-
9
3
-
+
=
12
1+2
=
3
=
3
-
-
-
-
18
21
-
+
=
39
3+9
=
12
1+2
3
-
5
H
O
R
U
S
-
-
-
-
-
--
-
-
-
-
8
15
18
21
19
+
=
81
8+1
=
9
=
9
-
-
8
6
9
3
1
+
=
27
2+7
=
9
=
9
-
5
H
O
R
U
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
-
-
8
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
18
5
H
O
R
U
S
-
-
27
-
-
5
-
27
1+8
-
-
-
9
-
-
-
-
2+7
-
-
-
-
2+7
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9
-
-
8
6
9
3
1
-
-
-
-
-
-
-
-
9
5
H
O
R
U
S
-
-
9
-
-
5
-
9

 

 

MIN DOTH DREAM WHAT DOTH MIN MEAN

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
A
=
1
-
9
THIRTYSIX
152
53
8
-
-
9
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
9
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
9
-
8
Essence of Number
9
9
9

 

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from the Bible (John 13:36, 16:5). ... en.wikipedia.org/wiki/Quo_Vadis -

 

 

-
QUO VADIS
-
-
-
1
Q
17
8
8
2
UO
36
9
9
3
VAD
27
9
9
1
I
9
9
9
1
S
19
1
1
8
QUO VADIS
108
36
36
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

-
QUO VADIS
-
-
-
3
QUO
17
8
8
5
VADIS
27
9
9
8
QUO VADIS
108
36
36
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

-
QUO VADIS
-
-
-
3
QUO
53
17
8
5
VADIS
55
19
1
8
QUO VADIS
108
36
9
-
-
1+0+8
3+6
3+6
8
QUO VADIS
9
9
9

 

 

-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
-
15
-
-
-
-
9
19
+
=
43
-
=
7
-
7
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
8
3
-
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
-
17
21
-
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
17
21
15
-
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
-
8
3
6
-
4
1
4
9
1
+
=
36
3+6
=
9
-
9
-
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
5
-
-
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
14
8
Q
U
O
-
V
A
D
I
S
-
-
31
-
-
8
-
36
1+4
-
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
5
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9
-
-
8
3
6
-
4
1
4
9
1
-
-
-
-
-
-
-
-
5
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
15
-
-
-
-
9
19
+
=
43
-
=
7
-
7
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
8
3
-
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
17
21
-
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
17
21
15
-
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
8
3
6
-
4
1
4
9
1
+
=
36
3+6
=
9
-
9
8
Q
U
O
-
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
-
-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
8
Q
U
O
-
V
A
D
I
S
-
-
31
-
-
8
-
36
-
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9
-
8
3
6
-
4
1
4
9
1
-
-
-
-
-
-
-
-
8
Q
U
O
-
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
9
1
+
=
16
1+6
=
7
-
7
-
-
-
15
-
-
-
9
19
+
=
43
-
=
7
-
7
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
8
3
-
4
1
4
-
-
+
=
20
2+0
=
20
2+0
2
-
17
21
-
22
1
4
-
-
+
=
65
6+5
=
11
1+1
2
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
17
21
15
22
1
4
9
19
+
=
108
1+0+8
=
9
-
9
-
8
3
6
4
1
4
9
1
+
=
36
3+6
=
9
-
9
8
Q
U
O
V
A
D
I
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
4
-
-
-
-
4
occurs
x
2
=
8
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
8
Q
U
O
V
A
D
I
S
-
-
31
-
-
8
-
36
-
-
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+6
8
Q
U
O
V
A
D
I
S
-
-
4
-
-
8
-
9
-
8
3
6
4
1
4
9
1
-
-
-
-
-
-
-
-
8
Q
U
O
V
A
D
I
S
-
-
4
-
-
8
-
9

 

 

8
QUO VADIS
108
36
9
-
-
-
-
-
-
-
-
-
-
7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

8
QUO VADIS
108
36
9

 

 

7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

 

SALUTATIONS

PEOPLES OF PLANET EARTH

THOUGHTS OF LOVE THOUGHTS OF PEACE THOUGHTS OF LIGHT

UNTO

ALL SENTIENT BEINGS THROUGHOUT THE UNIVERSE OF GODS UNIVERSAL MIND

 

 

HARMONIC 288

Bruce Cathie

1977

THE MEASURE OF LIGHT

Page 95

"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being

1836 inches,"

Page 95/97

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

 

 THE

HOLY BIBLE

Scofield Reference

Page 1141

JOHN AD 33

18:36

"Jesus answered, My kingdom is not of this world: if my kingdom were of this world, then would my servants fight, that I should not be delivered to the Jews: but now is my kingdom not from hence."

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT I

PLANETS STARS AND LIFE

Page 24

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 24 / 25
"A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelli- gence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons. A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

 

"A proton is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'"

 

 

E
=
5
-
8
EIGHTEEN
73
46
1
A
=
1
-
9
THIRTYSIX
152
53
8
-
-
9
4
17
First Total
225
99
9
-
-
-
-
1+7
Add to Reduce
2+2+5
9+9
-
Q
-
9
-
8
Second Total
9
18
9
-
-
-
-
1+7
Reduce to Deduce
-
1+8
-
Q
-
9
-
8
Essence of Number
9
9
9

 

 

-
17
E
I
G
H
T
E
E
N
T
+
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
-
-
-
5
+
-
8
9
-
-
-
1
9
6
+
=
55
5+5
=
10
1+0
1
=
1
-
-
-
9
-
8
-
-
-
14
-
-
8
9
-
-
-
19
9
24
+
=
100
1+0+0
=
1
2+0
1
=
1
-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
-
2
5
5
-
+
2
-
-
9
2
7
-
-
-
+
=
44
4+4
=
8
=
8
=
8
-
-
5
-
7
-
20
5
5
-
+
20
-
-
18
20
25
-
-
-
+
=
125
1+2+5
=
8
=
8
=
8
-
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
5
9
7
8
20
5
5
14
+
20
8
9
18
20
25
19
9
24
+
=
225
2+2+5
=
9
=
9
=
9
-
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
99
9+9
=
18
=
9
=
9
-
17
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
1
-
-
+
=
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
-
+
2
-
-
-
2
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
5
5
+
-
-
-
-
-
-
-
-
-
+
=
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
+
-
-
-
-
-
-
-
-
6
+
=
6
occurs
x
1
=
6
-
6
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
9
-
-
-
-
-
-
+
-
-
9
9
-
-
-
9
-
+
=
9
occurs
x
4
=
36
3+6
9
7
17
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
38
-
-
17
-
99
-
36
-
1+7
-
9
-
-
-
-
-
-
-
-
-
9
9
-
-
-
9
-
-
-
3+8
-
-
1+7
-
9+9
-
3+6
7
8
E
I
G
H
T
E
E
N
-
T
H
I
R
T
Y
S
I
X
-
-
11
-
-
8
-
18
-
9
-
-
5
9
7
8
2
5
5
5
+
2
8
9
9
2
7
1
9
6
+
=
1+1
-
-
-
-
1+8
-
-
7
8
E
I
G
H
T
E
E
N
+
T
H
I
R
T
Y
S
I
X
+
=
2
-
-
8
-
9
-
9

 

 

 

 

9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
--
-
-
-
-
-
8
-
-
-
-
-
9
-
-
+
=
17
1+7
=
8
-
8
-
-
-
8
-
-
-
-
-
9
-
-
+
=
17
1+7
=
8
-
8
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
--
-
-
-
-
2
-
5
-
6
1
4
9
3
7
+
=
28
2+8
=
10
1+0
1
-
-
20
-
5
-
6
1
13
9
12
25
+
=
82
8+2
=
10
1+0
1
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
--
-
-
-
-
20
8
5
-
6
1
13
9
12
25
+
=
99
9+9
=
18
1+8
9
-
-
2
8
5
-
6
1
4
9
3
7
+
=
45
4+5
=
9
-
9
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
2
-
2
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
1
=
7
8
-
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
9
-
-
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
45
9
T
H
E
-
F
A
M
I
L
Y
-
-
45
-
-
9
-
45
4+5
-
-
-
-
-
-
-
-
9
-
-
-
-
4+5
-
-
-
-
4+5
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
9
-
-
9
-
9
-
-
2
8
5
-
6
1
4
9
3
7
-
-
-
-
-
--
-
-
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
9
-
-
9
-
9

 

 

4
GODS
45
18
9
7
IMAGERS
5
5
9
8
CREATORS
99
36
9
-
-
-
-
-
-
-
-
-
-
8
THE ENNEA
72
36
9

 

 

 

FIRST CONTACT 1980

 

 

-
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
-
-
-
6
5
-
-
-
-
+
=
21
2+1
=
3
=
3
=
3
-
-
-
9
-
19
-
-
-
15
14
-
-
-
-
+
=
57
5+7
=
12
1+2
3
=
3
-
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
-
2
-
3
-
-
2
1
3
2
+
=
28
2+8
=
10
1+0
1
=
1
-
-
6
-
18
-
20
-
3
-
-
20
1
3
20
+
=
91
9+1
=
10
1+0
1
=
1
-
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
-
6
9
18
19
20
-
3
15
14
20
1
3
20
+
=
148
1+4+8
=
13
1+3
4
=
4
-
-
6
9
9
1
2
-
3
6
5
2
1
3
2
+
=
58
5+8
=
13
1+3
4
=
4
-
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
2
-
-
-
-
2
-
-
2
-
-
2
occurs
x
3
=
6
=
6
-
-
-
-
-
-
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
=
6
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
19
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
26
-
-
12
-
49
-
31
1+9
-
-
9
9
-
-
-
-
-
-
-
-
-
-
-
-
2+6
-
-
1+2
-
4+9
-
3+1
10
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
8
-
-
3
-
13
-
4
1+0
-
6
9
9
1
2
-
3
6
5
2
1
3
2
-
-
-
-
-
-
-
1+3
-
-
1
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
8
-
-
3
-
4
-
4

 

 
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
-
-
-
6
5
-
-
-
-
+
=
21
2+1
=
3
=
3
=
3
-
-
9
-
19
-
-
-
15
14
-
-
-
-
+
=
57
5+7
=
12
1+2
3
=
3
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
6
-
9
-
2
-
3
-
-
2
1
3
2
+
=
28
2+8
=
10
1+0
1
=
1
-
6
-
18
-
20
-
3
-
-
20
1
3
20
+
=
91
9+1
=
10
1+0
1
=
1
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
6
9
18
19
20
-
3
15
14
20
1
3
20
+
=
148
1+4+8
=
13
1+3
4
=
4
-
6
9
9
1
2
-
3
6
5
2
1
3
2
+
=
58
5+8
=
13
1+3
4
=
4
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
2
-
-
-
-
2
-
-
2
-
-
2
occurs
x
3
=
6
=
6
-
-
-
-
-
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
9
9
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
26
-
-
12
-
49
-
31
-
-
9
9
-
-
-
-
-
-
-
-
-
-
-
-
2+6
-
-
1+2
-
4+9
-
3+1
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
8
-
-
3
-
13
-
4
-
6
9
9
1
2
-
3
6
5
2
1
3
2
-
-
-
-
-
-
-
1+3
-
-
5
F
I
R
S
T
-
C
O
N
T
A
C
T
-
-
8
-
-
3
-
4
-
4

 

 

`-
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
9
5
-
1
+
=
20
2+0
=
2
=
2
=
2
-
-
-
-
-
-
-
-
14
-
-
-
-
-
-
-
-
9
14
-
19
+
=
56
5+6
=
11
1+1
2
=
2
`-
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
-
6
9
1
2
5
9
-
1
3
-
7
9
5
5
2
-
-
3
-
+
=
71
7+1
=
71
=
8
=
8
-
-
6
18
1
20
5
18
-
1
12
-
7
18
5
5
20
-
-
3
-
+
=
143
1+4+3
=
143
1+4+3
8
=
8
`-
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
-
6
18
1
20
5
18
14
1
12
-
7
18
5
5
20
9
14
7
19
+
=
199
1+9+9
=
19
1+9
10
=
1
-
-
6
9
1
2
5
9
5
1
3
-
7
9
5
5
2
9
5
7
17
+
=
91
9+1
=
19
=
1
=
1
-
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
3
=
3
=
3
-
-
--
--
--
2
--
--
--
--
--
-
--
--
--
--
2
--
--
--
--
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
-
-
-
-
-
5
5
-
-
5
-
-
-
-
5
occurs
x
5
=
25
2+5
7
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
9
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
--
-
-
8
EIGHT
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
9
occurs
x
4
=
36
3+6
9
12
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
33
-
-
18
-
91
-
37
1+2
1+8
-
-
-
-
5
-
5
-
-
-
-
-
5
5
-
-
5
-
-
-
-
3+3
-
-
1+8
-
9+1
-
3+7
3
9
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
6
-
-
9
-
10
-
10
-
-
6
9
1
2
5
9
5
1
3
-
7
9
5
5
2
9
5
7
-
-
-
-
-
-
-
-
1+0
-
1+0
3
9
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
6
-
-
9
-
1
-
1

 

 

18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
9
5
-
1
+
=
20
2+0
=
2
=
2
=
2
-
-
-
-
-
-
-
14
-
-
-
-
-
-
-
-
9
14
-
19
+
=
56
5+6
=
11
1+1
2
=
2
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
6
9
1
2
5
9
-
1
3
-
7
9
5
5
2
-
-
3
-
+
=
71
7+1
=
71
=
8
=
8
-
6
18
1
20
5
18
-
1
12
-
7
18
5
5
20
-
-
3
-
+
=
143
1+4+3
=
143
1+4+3
8
=
8
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
6
18
1
20
5
18
14
1
12
-
7
18
5
5
20
9
14
7
19
+
=
199
1+9+9
=
19
1+9
10
=
1
-
6
9
1
2
5
9
5
1
3
-
7
9
5
5
2
9
5
7
17
+
=
91
9+1
=
19
=
1
=
1
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
3
=
3
=
3
-
--
--
--
2
--
--
--
--
--
-
--
--
--
--
2
--
--
--
--
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
5
-
5
-
-
-
-
-
5
5
-
-
5
-
-
-
-
5
occurs
x
5
=
25
2+5
7
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
9
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
9
-
-
-
9
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
9
occurs
x
4
=
36
3+6
9
18
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
33
-
-
18
-
91
-
37
1+8
-
-
-
-
5
-
5
-
-
-
-
-
5
5
-
-
5
-
-
-
-
3+3
-
-
1+8
-
9+1
-
3+7
9
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
6
-
-
9
-
10
-
10
-
6
9
1
2
5
9
5
1
3
-
7
9
5
5
2
9
5
7
-
-
-
-
-
-
-
-
1+0
-
1+0
9
F
R
A
T
E
R
N
A
L
-
G
R
E
E
T
I
N
G
S
-
-
6
-
-
9
-
1
-
1

 

 

F
=
6
9
FRATERNAL
95
41
5
G
=
7
9
GREETINGS
104
50
5
C
=
3
8
CHILDREN
73
46
1
O
=
6
2
OF
21
12
3
T
=
2
3
THE
33
15
6
R
=
9
7
RAINBOW
82
37
1
L
=
3
5
LIGHT
56
29
2
-
-
36
43
First Total
464
230
23
-
-
3+6
4+3
Add to Reduce
4+6+4
2+3+0
2+3
Q
-
9
7
Second Total
14
5
5
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
9
7
Essence of Number
5
5
5

 

 

9

1 + 8

18

1 + 8 + 3 + 6

EIGHTEENTHIRTYSIX = 9 9 = XISYTRIHTNEETHGIE

CHILDREN OF THE RAINBOW LIGHT

IT

IS

FINISHED

ISISIS DIVINE THOUGHT THOUGHT DIVINE ISISIS

LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE

SO SHALL PEACE DESCEND UPON THE EARTH AND GOOD WILL ASCEND UPON ALL SENTIENT BEINGS

 

 

-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-````
-
-
6
-
1
-
-
9
-
9
5
-
-
-
6
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
-
15
-
19
-
-
9
-
9
14
-
-
-
15
-
-
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
-
4
-
-
4
-
4
-
-
5
-
3
-
4
5
+
=
36
3+6
=
9
=
9
=
9
-
-
7
-
4
-
-
4
-
22
-
-
5
-
12
-
22
5
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
15
4
19
-
4
9
22
9
14
5
-
12
15
22
5
+
=
162
1+6+2
=
9
=
9
=
9
-
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
+
=
72
7+2
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
10
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
35
-
-
14
-
72
-
36
1+0
1+4
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
3+5
-
-
1+4
-
7+2
-
3+6
1
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9
-
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
-
-
-
-
-
--
-
-
-
-
1
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9

 

 

14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
6
-
1
-
-
9
-
9
5
-
-
-
6
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
15
-
19
-
-
9
-
9
14
-
-
-
15
-
-
+
=
81
8+1
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
7
-
4
-
-
4
-
4
-
-
5
-
3
-
4
5
+
=
36
3+6
=
9
=
9
=
9
-
7
-
4
-
-
4
-
22
-
-
5
-
12
-
22
5
+
=
81
8+1
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
7
15
4
19
-
4
9
22
9
14
5
-
12
15
22
5
+
=
162
1+6+2
=
9
=
9
=
9
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
+
=
72
7+2
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
35
-
-
14
-
72
-
36
1+4
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
3+5
-
-
1+4
-
7+2
-
3+6
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
-
-
-
-
-
--
-
-
-
-
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9

 

 

IN

THE

BEGINNING

WAS THE WORD AND THE WORD WAS

WITH

GOD AND THE WORD WAS GOD

THE

SAME WAS IN THE BEGINNING WITH

GOD ALL THINGS WERE MADE BY GOD AND WITHOUT GOD

WAS

NOT

ANYTHING

MADE THAT WAS MADE

IN

GOD

WAS LIFE AND THE LIFE WAS

THE

LIGHT

OF

HUMANKIND

AND THE

LIGHT

SHINETH IN THE DARKNESS AND THE DARKNESS COMPREHENDED IT NOT

?

 

 

-
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
8
6
-
-
-
-
6
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
-
-
8
-
-
8
15
-
-
-
-
15
-
-
+
=
46
4+6
=
10
1+0
1
=
1
-
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
--
-
-
-
-
-
-
2
-
5
-
-
-
3
7
-
5
-
9
4
+
=
35
3+5
=
8
=
8
=
8
-
-
20
-
5
-
-
-
12
25
-
23
-
18
4
+
=
107
1+0+7
=
8
=
8
=
8
--
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
--
-
-
-
-
-
-
20
8
5
-
8
15
12
25
-
23
15
18
4
+
=
153
1+5+3
=
9
=
9
=
9
-
-
2
8
5
-
8
6
3
7
-
5
6
9
4
+
=
63
6+3
=
9
=
9
=
9
-
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
--
3
-
-
-
--
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
6
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
1
11
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
44
-
-
11
-
63
-
36
-
1+1
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
4+4
-
-
1+1
-
6+3
-
3+6
1
2
T
H
E
-
H
O
L
Y
-
W
O
R
D
-
-
8
-
-
2
-
9
-
9

 

 

3
AND
19
10
1
7
BECAUSE
56
20
2
4
YOUR
79
25
7
4
MINE
41
23
5
1
I
9
9
9
4
WALK
47
11
2
3
THE
33
15
6
4
LINE
40
22
4
30
Add to Reduce
324
135
36
3+0
Reduce to Deduce
3+2+4
1+3+5
3+6
3
Essence of Number
9
9
9

 

 

1
I
9
9
9
2
AM
14
5
5
4
THAT
49
13
4
4
THAT
49
13
4
2
AM
14
5
5
1
I
9
9
9
14
-
144
54
36
1+4
-
1+4+4
5+4
3+6
5
-
9
9
9

 

 

CHEIRO'S

BOOK OF NUMBERS

Circa 1926

Page106

"Shakespeare, that Prince of Philosophers, whose thoughts will adorn English litera-ture for all time, laid down the well-known axiom: There is a tide in the affairs of men which if taken at the flood, leads on to fortune." The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?
My answer to this question is that the Great Architect of the Universe in His Infinite Wisdom so created all things in such harmony of design that He endowed the human mind with some part of that omnipotent knowledge which is the attribute of the Divine Mind as the Creator of all."The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood?


 

THE

QUESTION

HAS BEEN ASKED AGAIN AND AGAIN

IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE

THE TIDE AT THE FLOOD

 

 

3
THE
33
15
6
5
GREAT
51
24
6
7
PYRAMID
86
41
5
2
OF
21
12
3
4
GIZA
43
25
7
21
Add to Reduce
234
117
27
2+1
Reduce to Deduce
2+3+4
1+1+7
 2+7
3
Essence of Number
9
9
9

 

 

-
HAPPY BIRTHDAY
--
--
--
5
HAPPY
66
30
3
8
BIRTHDAY
87
42
6
13
HAPPY BIRTHDAY
153
72
9
1+3
-
1+5+3
7+2
-
4
HAPPY BIRTHDAY
9
9
9

 

 

-
HAPPY BIRTHDAY
--
--
--
5
HAPPY
66
30
3
5
BIRTH
57
30
3
3
DAY
30
12
3
13
HAPPY BIRTHDAY
153
72
9
1+3
-
1+5+3
7+2
-
4
HAPPY BIRTHDAY
9
9
9

 

 

-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
=
7
-
-
8
-
-
-
-
-
-
9
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
=
7
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
1
7
7
7
-
2
-
9
2
-
-
4
1
7
+
=
47
4+7
=
11
=
2
=
2
=
2
-
-
-
1
16
16
25
-
2
-
18
20
-
-
4
1
25
+
=
128
1+2+8
=
11
1+1
2
=
2
=
2
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
8
1
16
16
25
-
2
9
18
20
8
-
4
1
25
+
=
153
1+5+3
=
9
=
9
=
9
=
9
-
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
+
=
72
4+4
=
9
=
9
=
9
=
9
-
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
=
2
-
-
-
-
-
-
-
-
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
=
4
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
=
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
7
7
7
-
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
4
=
28
2+8
10
1+0
1
-
-
8
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
=
7
-
-
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
=
9
14
13
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
31
-
-
9
-
72
-
36
-
27
1+4
1+3
-
-
-
-
-
-
-
9
9
-
-
-
-
-
-
-
-
3+1
-
-
-
-
7+2
-
3+6
-
2+7
5
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9
-
-
8
1
7
7
7
-
2
9
9
2
8
-
4
1
7
-
-
-
-
-
-
-
-
-
-
-
-
5
4
H
A
P
P
Y
-
B
I
R
T
H
-
D
A
Y
-
-
4
-
-
9
-
9
-
9
-
9

 

 

5
BRAVE
48
21
3
3
NEW
42
15
6
5
WORLD
72
27
9
13
Add
162
63
36
1+3
Reduce
1+6+2
6+3
3+6
4
Deduce
9
9
9

 

 

-
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
6
-
-
-
+
=
11
1+1
=
2
=
2
=
2
-
-
-
-
-
-
-
-
14
-
-
-
-
15
-
-
-
+
=
29
2+9
=
11
=
2
=
2
-
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
-
2
9
1
4
5
-
-
5
5
-
5
-
9
3
4
+
=
52
5+2
=
7
=
7
=
7
-
-
2
18
1
22
5
-
-
5
23
-
23
-
18
12
4
+
=
133
1+3+3
=
7
=
7
=
7
-
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
-
2
18
1
22
5
-
14
5
23
-
23
15
18
12
4
+
=
162
1+6+2
=
9
=
9
=
9
-
-
2
9
1
4
5
-
5
5
5
-
5
6
9
3
4
+
=
63
6+3
=
9
=
9
=
9
-
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
3
3
3
-
3
3
-
-
1
occurs
x
1
=
1
=
1
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
-
5
5
5
-
5
-
-
-
-
-
-
5
occurs
x
5
=
25
2+5
7
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
3
3
3
-
3
3
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
15
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
30
-
-
5
-
63
-
36
1+5
1+3
-
-
-
-
5
-
5
5
5
-
5
-
-
-
-
-
-
3+0
-
-
-
-
6+3
-
3+6
6
4
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
3
-
-
5
-
9
-
9
-
-
2
9
1
4
5
-
5
5
5
-
5
6
9
3
4
-
-
-
-
-
-
-
-
-
-
6
4
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
3
-
-
5
-
9
-
9

 

 

13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
6
-
-
-
+
=
11
1+1
=
2
=
2
=
2
-
-
-
-
-
-
-
14
-
-
-
-
15
-
-
-
+
=
29
2+9
=
11
=
2
=
2
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
2
9
1
4
5
-
-
5
5
-
5
-
9
3
4
+
=
52
5+2
=
7
=
7
=
7
-
2
18
1
22
5
-
-
5
23
-
23
-
18
12
4
+
=
133
1+3+3
=
7
=
7
=
7
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
2
18
1
22
5
-
14
5
23
-
23
15
18
12
4
+
=
162
1+6+2
=
9
=
9
=
9
-
2
9
1
4
5
-
5
5
5
-
5
6
9
3
4
+
=
63
6+3
=
9
=
9
=
9
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
3
3
3
-
3
3
-
-
1
occurs
x
1
=
1
=
1
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
-
5
5
5
-
5
-
-
-
-
-
-
5
occurs
x
5
=
25
2+5
7
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
1
=
6
=
6
13
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
30
-
-
5
-
63
-
36
1+3
-
-
-
-
5
-
5
5
5
-
5
-
-
-
-
-
-
3+0
-
-
-
-
6+3
-
3+6
4
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
3
-
-
5
-
9
-
9
-
2
9
1
4
5
-
5
5
5
-
5
6
9
3
4
-
-
-
-
-
-
-
-
-
-
4
B
R
A
V
E
-
N
E
W
-
W
O
R
L
D
-
-
3
-
-
5
-
9
-
9

 

 

-
THE FAMILY
--
--
--
3
THE
33
15
6
6
FAMILY
66
30
3
9
THE FAMILY
99
45
9
-
-
9+9
4+5
-
9
THE FAMILY
18
9
9
-
-
1+8
-
-
9
THE FAMILY
9
9
9

 

 

9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
--
-
-
-
-
-
8
-
-
-
-
-
9
-
-
+
=
17
1+7
=
8
=
8
-
-
-
8
-
-
-
-
-
9
-
-
+
=
17
1+7
=
8
=
8
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
--
-
-
-
-
2
-
5
-
6
1
4
9
3
7
+
=
28
2+8
=
10
1+0
1
-
-
20
-
5
-
6
1
13
9
12
25
+
=
82
8+2
=
10
1+0
1
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
--
-
-
-
-
20
8
5
-
6
1
13
9
12
25
+
=
99
9+9
=
18
1+8
9
-
-
2
8
5
-
6
1
4
9
3
7
+
=
45
4+5
=
9
-
9
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
2
-
2
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
4
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
5
-
-
-
-
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
1
=
7
8
-
-
8
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
9
-
-
-
-
-
-
-
-
9
-
-
-
-
9
occurs
x
1
=
9
45
9
T
H
E
-
F
A
M
I
L
Y
-
-
45
-
-
9
-
45
4+5
-
-
-
-
-
-
-
-
9
-
-
-
-
4+5
-
-
-
-
4+5
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
9
-
-
9
-
9
-
-
2
8
5
-
6
1
4
9
3
7
-
-
-
-
-
--
-
-
9
9
T
H
E
-
F
A
M
I
L
Y
-
-
9
-
-
9
-
9

 

 

-
THE ENNEA
--
--
--
3
THE
33
15
6
6
ENNEA
39
21
3
9
THE ENNEA
72
36
9

 

 

-
8
T
H
E
-
E
N
N
E
A
-
-
-
-
-
-
-
--
-
-
-
-
-
8
-
-
-
5
5
-
-
+
=
18
1+8
=
9
=
9
=
9
-
-
-
8
-
-
-
14
14
-
-
+
=
36
3+6
=
9
=
9
=
9
-
8
T
H
E
-
E
N
N
E
A
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
5
-
-
5
1
+
=
18
1+8
=
9
=
9
=
9
-
-
20
-
5
-
5
-
-
5
1
+
=
36
3+6
=
9
=
9
=
9
-
8
T
H
E
-
E
N
N
E
A
-
-
-
-
-
-
-
-
-
-
-
`-
20
8
5
-
5
14
14
5
1
+
=
72
7+2
=
9
=
9
=
9
-
-
2
8
5
-
5
5
5
5
1
+
=
36
3+6
=
9
=
9
=
9
-
8
T
H
E
-
E
N
N
E
A
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
1
-
-
5
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
2
3
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
5
-
5
5
5
5
-
-
-
5
occurs
x
5
=
25
2+5
7
6
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
9
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
29
8
T
H
E
-
E
N
N
E
A
-
-
16
-
-
8
-
36
-
18
2+9
-
-
-
-
-
-
-
-
-
-
-
-
1+6
-
-
-
-
3+6
-
1+8
11
8
T
H
E
-
E
N
N
E
A
-
-
7
-
-
8
-
9
-
9
1+1
-
2
8
5
-
5
5
5
5
1
-
-
-
-
-
-
-
-
-
-
2
8
T
H
E
-
E
N
N
E
A
-
-
7
-
-
8
-
9
-
9

 

 

3

SUN
54
9
9
7
MERCURY
103
40
4
5

VENUS
81
18
9
5
EARTH
52
25
7
4
MOON
57
21
3
4
MARS
51
15
6
7

JUPITER
99
36
9
6
SATURN
93
21
3
6
URANUS
94
22
4
7
NEPTUNE
95
32
5
5
PLUTO
84
21
3
59

First Total
863
260
62
5+9

Add to Reduce

 8+6+3
2+6
6+2
14

Second Total
17
8
8
1+4

Add to Deduce
1+7

-

-
5

Final Total
8
8
8

 

 

HAMLET'S MILL

AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE

AND ITS TRANSMISSION THROUGH MYTH

Giorgio De Santillana and Hertha Von Dechend 1969

Intoduction

Page 1 (number omitted)

"The unbreakable fetters which bound down the Great Wolf Fenrir had been cunningly forged by Loki from these: the footfall of a cat, the roots of a rock, the beard of a woman, the breath of a fish, the spittle of a bird. The Edda

Toute vue des choses qui n'est pas estrange est fausse. VALERY


THIS IS meant to be only an essay. It is a first reconnaissance of a realm well-nigh unexplored and uncharted. From whichever way onc enters it, one is caught in the same bewildering circular complexity, as in a labyrinth, for it has no deductive order in the abstract sense, but instead resembles an organism tightly closed in itself, or even better, a monumental "Art of the Fugue."

The figure of Hamlet as a favorable starting point came by chance. Many other avenues offered themselves, rich in strange symbols and beckoning with great images, but the choice went to Hamlet because he led the mind on a truly inductive quest through a familiar landscape-and one which has the merit of its literary setting. Here is a character deeply present to our awareness, in whom ambiguities and uncertainties, tormented self-questioning and dispassionate insight give a presentiment of the modern mind. His personal drama was that he had to be a hero, but still try to avoid the role Destiny assigned him. His lucid intellect remained above the conflict of motives-in other words, his was and is a truly con­/ Page 2 / temporary consciousness. And yet this character whom the poet made one of us, the first unhappy intellectual, concealed a past as a legendary being, his features predetermined, preshaped by long­standing myth. There was a numinous aura around him, and many clues led up to him. But it was a surprise to find behind the mask an ancient and all-embracing cosmic power-the original master of the dreamed-of first age of the world.
Yet in all his guises he remained strangely himself. The original Amlodhi, * as his name was in Icelandic legend, shows the same characteristics of melancholy and high intellect. He, too, is a son dedicated to avenge his father, a speaker of cryptic but inescapable truths, an elusive carrier of Fate who must yield once his mission is accomplished and sink once more into concealment in the depths of time to which he belongs: Lord of the Golden Age, the Once and Future King.

This essay will follow the figure farther and farther afield, from the Northland to Rome, from there to Finland, Iran, and India; he will appear again unmistakably in Polynesian legend. Many other Dominations and Powers will materialize to frame him within the proper order.

Amlodhi was identified, in the crude and vivid imagery of the Norse, by the ownership of a fabled mill which, in his own time, ground out peace and plenty. Later, in decaying times, it ground out salt; and now finally, having landed at the bottom of the sea, it is grinding rock and sand, creating a vast whirlpool, the Maelstrom (i.e., the grinding stream, from the verb mala, "to grind"), which is supposed to be a way to the land of the dead. This imagery stands, as the evidence develops, for an astronomical process, the secular shifting of the sun through the signs of the zodiac which determines world-ages, each numbering thousands of years. Each age brings a World Era, a Twilight of the Gods. Great structures collapse; pillars topple which supported the great fabric; floods and cataclysms herald the shaping of a new world.
The image of the mill and its owner yielded elsewhere to more / Page 3 / sophisticated ones, more adherent to celestial events. In Plato's powerful mind, the figure stood out as the Craftsman God, the Demiurge, who shaped the heavens; but even Plato did not escape the idea he had inherited, of catastrophes and the periodic rebuilding of the world.

Tradition will show that the measures of a new world had to be procured from the depths of the celestial ocean and tuned with the measures from above, dictated by the "Seven Sages," as they are often cryptically mentioned in India and elsewhere. They turn out to be the Seven Stars of Ursa, which are normative in all cosmological alignments on the starry sphere. These dominant stars of the Far North are peculiarly but systematically linked with those which are considered the operative powers of the cosmos, that is, the planets as they move in different placements and configurations along the zodiac. The ancient Pythagoreans, in their conventional language, called the two Bears the Hands of Rhea (the Lady of Turning Heaven), and called the planets the Hounds of Persephone, Queen of the Underworld. Far away to the south, the mysterious ship Argo with its Pilot star held the depths of the past; and the Galaxy was the Bridge out of Time. These notions appear to have been common doctrine in the age before history-all over the belt of high civilizations around our globe. They also seem to have been born of the great intellectual and technological revolution of the late Neolithic period.

The intensity and richness, the coincidence of details, in this cumulative thought have led to the conclusion that it all had its origin in the Near East. It is evident that this indicates a diffusion of ideas to an extent hardly countenanced by current anthropology. But this science, although it has dug up a marvelous wealth of details, has been led by its modern evolutionary and psychological bent to forget about the main source of myth, which was astronomy -the Royal Science. This obliviousness is itself a recent turn of events-barely a century old. Today expert philologists tell us that Saturn and Jupiter are names of vague deities, subterranean or atmospheric, superimposed on the planets at a "late" period; they neatly sort out folk origins and "late" derivations, all unaware that planetary periods, sidereal and synodic, were known and rehearsed / Page 4 / in numerous ways by celebrations already traditional in archaic times. If a scholar has never known those periods even from elementary science, he is not in the best position to recognize them when they come up in his material.

Ancient historians would have been aghast had they been told that obvious things were to become unnoticeable. Aristotle was proud to state it as known that the gods were originally stars, even if popular fantasy had later obscured this truth. Little as he believed in progress, he felt this much had been secured for the future. He could not guess that W. D. Ross, his modern editor, would condescendingly annotate: "This is historically untrue." Yet we know that Saturday and Sabbath had to do with Saturn, just as Wednesday and Mercredi had to do with Mercury. Such names are as old as time; as old, certainly, as the planetary heptagram of the Har­ranians. They go back far before Professor Ross' Greek philology. The inquiries of great and meticulous scholars such as Ideler, Lep­sius, Chwolson, BoIl and, to go farther back, of Athanasius Kircher and Petavius, had they only been read carefully, and noted, would have taught several relevant lessons to the historians of culture, but interest shifted to other goals, as can be seen from current anthro­pology, which has built up its own idea of the "primitive" and what came after.

One still reads in that most unscientific of records, the Bible, that God disposed all things by number, weight and measure; ancient Chinese texts say that "the calendar and the pitch pipes have such a close fit, that you could not slip a hair between them." People read it, and think nothing of it. Yet such hints might reveal a world of vast and firmly established complexity, infinitely different from ours. But the experts now are benighted by the current folk fantasy, which is the belief that they are beyond all this-critics without nonsense and extremely wise.

In 1959 I wrote:
The dust of centuries had settled upon the remains of this great world-wide archaic construction when the Greeks came upon the scene. Yet something of it survived in traditional rites, in myths and fairy tales no longer understood. Taken verbally, it matured the / Page 5 / bloody cults intended to procure fertility, based on the belief in a dark universal force of an ambivalent nature, which seems now to monopolize our interest. Yet its original themes could flash out again, preserved almost intact, in the later thought of the Pythagoreans and of Plato.

But they are tantalizing fragments of a lost whole. They make one think of those "mist landscapes" of which Chinese painters are masters, which show here a rock, here a gable, there the tip of a tree, and leave the rest to imagination. Even when the code shall have yielded, when the techniques shall be known, we cannot expect to gauge the thought of those remote ancestors of ours, wrapped as it is in its symbols.

Their words are no more heard again Through lapse of many ages. . .

We think we have now broken part of that code. The thought behind these constructions of the high and far-off times is also lofty, even if its forms are strange. The theory about "how the world began" seems to involve the breaking asunder of a harmony, a kind of cosmogonic "original sin" whereby the circle of the ecliptic (with the zodiac) was tilted up at an angle with respect to the equator, and the cycles of change came into being.

This is not to suggest that this archaic cosmology will show any great physical discoveries, although it required prodigious feats of concentration and computing. What it did was to mark out the unity of the universe, and of man's mind, reaching out to its farthest limits. Truly, man is doing the same today.

Einstein said: "What is inconceivable about the universe, is that it should be at all conceivable." Man is not giving up. When he discovers remote galaxies by the million, and then those quasi-stellar radio sources billions of light-years away which confound his speculation, he is happy that he can reach out to those depths. But he pays a terrible price for his achievement. The science of astro­physics reaches out on a grander and grander scale without losing its footing. Man as man cannot do this. In the depths of space he loses himself and all notion of his significance. He is unable to fit himself into the concepts of today's astrophysics short of schizophrenia. Modern man is facing the nonconceivable. Archaic man, however, kept a firm grip on the conceivable by framing within his cosmos / Page 6 / an order of time and an eschatology that made sense to him and reserved a fate for his soul. Yet it was a prodigiously vast theory, with no concessions to merely human sentiments. It, too, dilated the mind beyond the bearable, although without destroying man's role in the cosmos. It was a ruthless metaphysics.

Not a forgiving universe, not a world of mercy. That surely not. Inexorable as the stars in their courses, miserationis parcissimae, the Romans used to say. Yet it was a world somehow not unmindful of man, one in which there was an accepted place for everything, rightfully and not only statistically, where no sparrow could fall unnoted, and where even what was rejected through its own error would not go down to eternal perdition; for the order of Number and Time was a total order preserving all, of which all were members, gods and men and animals, trees and crystals and even absurd errant stars, all subject to law and measure.

This is what Plato knew, who could still speak the language of archaic myth. He made myth consonant with his thought, as he built the first modern philosophy. We have trusted his clues as landmarks even on occasions when he professes to speak "not quite seriously." He gave us a first rule of thumb; he knew what he was talking about.

Behind Plato there stands the imposing body of doctrine attributed to Pythagoras, some of its formulation uncouth, but rich with the prodigious content of early mathematics, pregnant with a sci­ence and a metaphysics that were to flower in Plato's time. From it come such words as "theorem," "theory," and "philosophy." This in its turn rests on what might be called a proto-Pythagorean phase, spread all over the East but with a focus in Susa. And then there was something else again, the stark numerical computing of Baby­Ion. From it all came that strange principle: "Things are numbers."

Once having grasped a thread going back in time, then the test of later doctrines with their own historical developments lies in their congruence with tradition preserved intact even if half under­stood. For there are seeds which propagate themselves along the jetstream of time.

Page 7

And universality is in itself a test when coupled with a firm design. When something found, say, in China turns up also in Babyionian astrological texts, then it must be assumed to be relevant, for it reveals a complex of uncommon images which nobody could claim had risen independently by spontaneous generation.

Take the origin of music. Orpheus and his harrowing death may be a poetic creation born in more than one instance in diverse places. But when characters who do not play the lyre but blow pipes get themselves flayed alive for various absurd reasons, and their identical end is rehearsed on several continents, then we feel we have got hold of something, for such stories cannot be linked by internal sequence. And when the Pied Piper turns up both in the medieval German myth of Hamelin and in Mexico long before Columbus, and is linked in both places with certain attributes like the color red, it can hardly be a coincidence. Generally, there is little that finds its way into music by chance.

Again, when one finds numbers like 108, or 9 x 13, reappearing under several multiples in the Vedas, in the temples of Angkor, in Babylon, in Heraclitus' dark utterances, and also in the Norse Valhalla, it is not accident.

There is one way of checking signals thus scattered in early data, in lore, fables and sacred texts. What we have used for sources may seem strange and disparate, but the sifting was considered, and it had its reasons. Those reasons will be given later in the chapter on method. I might call it comparative morphology. The reservoir of myth and fable is great, but there are morphological "markers" for what is not mere storytelling of the kind that comes naturally. There is also wonderfully preserved archaic material in "secondary" primitives, like American Indians and West Africans. Then there are courtly stories and annals of dynasties which look like novels: the Feng Shen Yen I, the Japanese Nihongi, the Hawaiian Kumulipo. These are not merely fantasy-ridden fables.

In hard and perilous ages, what information should a well-born man entrust to his eldest son? Lines of descent surely, but what else? The memory of an ancient nobility is the means of preserving the / Page 8 / arcana imperii, the arcana legis and the arcana mundi, just as it was in ancient Rome. This is the wisdom of a ruling class. The Polynesian chants taught in the severely restricted Whare-wananga were mostly astronomy. That is what a liberal education meant then.

Sacred texts are another great source. In our age of print one is tempted to dismiss these as religious excursions into homiletics, but originally they represented a great concentration of attention on material which had been distilled for relevancy through a long period of time and which was considered worthy of being committed to memory generation after generation. The tradition of Celtic Druidism was delivered not only in songs, but also in tree-lore which was much like a code. And in the East, out of complicated games based on astronomy, there developed a kind of shorthand which became the alphabet.

As we follow the clues-stars, numbers, colors, plants, forms, verse, music, structres-a huge framework of connections is re­vealed at many levels. One is inside an echoing manifold where everything responds and everything has a place and a time assigned to it. This is a true edifice, something like a mathematical matrix, a World-Image that fits the many levels, and all of it kept in order by strict measure. It is measure that provides the countercheck, for there is much that can be identified and redisposed from rules like the old Chinese saying about the pitch pipes and the calendar. When we speak of measures, it is always some form of Time that provides them, starting from two basic ones, the solar year and the octave, and going down from there in many periods and intervals, to actual weights and sizes. What modern man attempted in the merely conventional metric system has archaic precedents of great complexity. Down the centuries there comes an echo of Al-Biruni's wondering a thousand years ago, when that prince of scientists discovered that the Indians, by then miserable astronomers, calculated aspects and events by means of stars-and were not able to show him anyone star that he asked for. Stars had become items for them, as they were to become again for Leverrier and Adams, who never troubled to look at Neptune in their life although they had computed and discovered it in 1847. The Mayas and the Aztecs in their / Page 9 / unending calculations seem to have had similar attitudes. The connections were what counted. Ultimately so it was in the archaic universe, where all things were signs and signatures of each other, inscribed in the hologram, to be divined subtly. And Number dominated them all (appendix # I ).

This ancient world moves a little closer if one recalls two great transitional figures who were simultaneously archaic and modern in their habits of thought. The first is Johannes Kepler, who was of the old order in his unremitting calculations and his passionate devotion to the dream of rediscovering the "Harmony of the Spheres." But he was a man of his own time, and also of ours, when this dream began to prefigure the polyphony that led up to Bach. In somewhat the same way, our strictly scientific world view has its counterpart in what John Hollander, the historian of music, has described as "The Untuning of the Sky." The second transitional figure is no less a man than Sir Isaac Newton, the very inceptor of the rigorously scientific view. There is no real paradox in mentioning Newton in this connection. John Maynard Keynes, who knew Newton as well as many of our time, said of him:

Newton was not the first of the Age of Reason. He was the last of the magicians, the last of the Babylonians and Sumerians, the last great mind which looked out on the visible and intellectual world with the same eyes as those who began to build our intellectual world rather less than 10,000 years ago. . . Why do I call him a magician? Because he looked on the whole universe and all that is in it as a riddle, as a secret which could be read by applying pure thought to certain evidence, certain mystic clues which God had laid about the world to allow a sort of philosopher's treasure hunt to the esoteric brother­hood. He believed that these clues were to be found partly in the evidence of the heavens and in the constitution of elements (and that is what gives the false suggestion of his being an experimental natural philosopher), but also partly in certain papers and traditions handed down by the brethren in an unbroken chain back to the original cryptic revelation in Babylonia. He regarded the universe as a cryptogram set by the Almighty-just as he himself wrapt the discovery of the calculus in a cryptogram when he communicated with Leibniz. By pure thought, by concentration of mind, the riddle, he believed, would be revealed to the initiate.1

Page 10

Lord Keynes' appraisal, written ca. 1942, remains both unconventional and profound. He knew, we all know, that Newton failed. Newton was led astray by his dour sectarian preconceptions. But his undertaking was truly in the archaic spirit, as it begins to appear now after two centuries of scholarly search into many cul­tures of which he could have had no idea. To the few clues he found with rigorous method, a vast number have been added. Still, the wonder remains, the same that was expressed by his great predecessor Galileo:

But of all other stupendous inventions, what sublimity of mind must have been his who conccived how to communicate his most secret thoughts to any othcr person, though very far distant either in time or place, speaking with those who are in the In dies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years) And with no greater difficulty than the various arrangement of two dozcn little signs upon paper? Let this be the seal of all the admirable inventions of man.

'Way back in the 6th century A.D., Gregoire de Tours was writing: "The mind has lost its cutting edge, we hardly understand the Ancicnts." So much more today, despite our wallowing in mathematics for the million and in sophisticated technology.
It is undeniable that, notwithstanding our Classics Departments' labors, the wilting away of classical studies, the abandonment of any living familiarity with Greek and Latin has cut the ompha­loessa, the umbilical cord which connected our cultUre-at least at its top level-with Greece, in the same manner in which men of the Pythagorean and Orphic tradition were tied up through Plato and a few others with the most ancient Near East. It is beginning to appear that this destruction is leading into a very up-to-date Middle Ages, much worse than the first. People will sneer: "Stop the World, I want to get off." It cannot be changed, however; this is the way it goes when someone or other tampers with the reserved knowledge that science is, and was meant to represent.
But, as Goethe said at the very onset of the Progressive Age, "Noch ist es Tag, da ruhre sich der Mann! Die Nacht tritt ein, wo niemand wirken kann." ("It is still day, let men get up and / Page 11 / going-the night creeps in, when there is nothing doing.") There might come once more some kind of "Renaissance" out of the hopelessly condemned and trampled past, when certain ideas come to life again, and we should not deprive our grandchildren of a last chance at the heritage of the highest and farthest-off times. And if, as looks infinitely probable, even that last chance is passed up in the turmoil of progress, why then one can still think with Poliziano, who was himself a master humanist, that there will be men whose minds find a refuge in poetry and art and the holy tradition "which alone make men free from death and turn them to eternity, so long as the stars will go on, still shining over a world made for­ever silent." Right now, there is still left some daylight in which to undertake this first quick reconnaissance. It will necessarily leave out great and significant areas of material, but even so, it will in­vestigate many unexpected byways and crannies of the past."

Page 2 Note *. The indulgence of specialists is asked for the form of certain transliterations throughout the text; for example, Amlodhi instead of Amlodi, Grotte instead of Grotti, etc. (Ed.)

Page 9 Note 1 1 "Newton the Man," in The Royal Society. Newton Tercentenary Celebrations (1947), p. 29.

 

 

-
CODE
-
-
-
2
CO
18
9
9
2
DE
9
9
9
4
CODE
27
18
18
-
-
2+7
1+8
1+8
4
CODE
9
9
9

 

 

HAMLET'S MILL

AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE

AND ITS TRANSMISSION THROUGH MYTH

Giorgio De Santillana and Hertha Von Dechend 1969

Page 162

"Finally, there is one remarkable and disturbing coincidence from the same direction. It is known that in the final battle of the gods, the massed legions on the side of "order" are the dead warriors, the "Einherier" who once fell in combat on earth and who have been transferred by the Valkyries to reside with Odin in Valhalla-a theme much rehearsed in heroic poetry. On the last day, they issue forth to battle in martial array. Says the Grimnismal (23): "Five hundred gates and forty more-are in the mighty building of Wal­halla-eight hundred 'Einherier' come out of each one gate-on the time they go out on defence against the Wolf."
That makes 432,000 in all, a number of significance from of old.
This number must have had a very ancient meaning, for it is also the number of syllables in the Rigveda. But it goes back to the basic figure 10,800, the number of stanzas in the Rigveda (40 syllables to a stanza) which, together with 108, occurs insistently in Indian tradition. 10,800 is also the number which has been given by Heraclitus for the duration of the Aion, according to Censorinus (De die natali 18), whereas Berossos made the Babylonian Great Year to last 432,000 years. Again, 10,800 is the number of bricks of the Indian fire-altar (Agnicayana). 32
"To quibble away such a coincidence," remarks Schroder, "or to ascribe it to chance, is in my opinion to drive skepticism beyond its limits."33 Shall one add Angkor to the list? It has five gates, and to each of them leads a road, bridging over that water ditch which surrounds the whole place. Each of these roads is bordered by a row of huge stone figures, 108 per avenue, 54 on each side, altogether 540 statues of Deva and Asura, and each row carries a huge Naga / Page 163 / serpent with nine heads. Only, they do not "carry" that serpent, they are shown to "pull" it, which indicates that these 540 statues are churning the Milky Ocean, represented (poorly, indeed) by the water ditch,34 using Mount Mandara as a churning staff, and Vasuki, the prince of the Nagas, as their drilling rope. (Just to prevent misunderstanding: Vasuki had been asked before, and had agreeably consented, and so had Vishnu's tortoise avatar, who was going to serve as the fixed base for that "incomparably mighty churn," and even the Milky Ocean itself had made it clear that it was willing to be churned.) The whole of Angkor thus turns out to be a colossal model set up for "alternative motion" with true Hindu fantasy and incongruousness to counter the idea of a continuous one-way Precession from west to east."

 

 

9
FIFTY FOUR
126
54
9

 

 

9
FIFTY FOUR
126
54
9
-
-
1+2+6
5+4
-
9
FIFTY FOUR
9
9
9

 

 

-
FIFTY FOUR
-
-
-
5
FIFTY
66
30
3
4
FOUR
60
24
6
9
FIFTY FOUR
126
54
9
-
-
 1+2+6 5+4
-
9
FIFTY FOUR
9
9
9

 

 

-
FIFTY FOUR
-
-
-
6
FIFTYF
72
36
9
3
OUR
54
18
9
9
FIFTY FOUR
126
54
18
-
-
1+2+6
5+4
1+8
9
FIFTY FOUR
9
9
9

 

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
3
OUR
54
18
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
3
OUR
54
18
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

 

CITY OF REVELATION

John Michell 1972

Page 77

CHAPTER SEVEN

3168, The Perimeter of the Temple

"If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined.
Of all the canonical numbers the most notable is 3168. The New Jerusalem measures 48,000 furlongs or 31,680,000 feet round the perimeter of its four sides; the mean perimeter of the Stonehenge sarsen circle is 316.8 feet; the perimeter of the square 12 hides of Glastonbury is 31,680 feet; the significance of 31,680 in the canon of cosmology is illustrated in Fig.11, and we shall also find this number set round the border of Plato's mystical city, described in Laws.
Obviously the number 3168 had an important symbolic meaning, the Christian interpretation of which is provided in New Testament
gematria. The most sacred name of Christianity is (Greek text omitted);
(Greek text omitted), Lord Jesus Christ, and the number of these three words together is 3168. (Greek text omitted) is an astrological term meaning the ruler or dominant influence.
Another sacred phrase from the New Testament, (Greek text omitted) the Power of Christ (2 Corinthians 12.9) has the value 3168 if the alternative spelling of Christos, (Greek text omitted) is adopted.

Page 78

The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God.

As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for
31,680 inches = half a mile

31,680 ft. = 6 miles.

31,680 furlongs = 3960 miles = radius of the earth.

31,680 miles = perimeter of square containing the terrestrial sphere.

31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles)

Other cosmological correspondences of 3168 are given on page 109.

The Stonehenge sarsen circle with circumference of 316.8 feet
contains an area of 888 square yards, 888 being the number of Jesus, which is equal to 1080 square MY. The circle contained within a square of perimeter 316.8 feet, corresponding to the bluestone circle at Stonehenge, has an area of 666 square MY. Thus the two stone circles at Stonehenge have areas of 1080 and 666 square MY, these two numbers representing the opposite poles of lunar and solar or negative and positive energy.
The number 144 or 122 is characteristic of the New Jerusalem scheme, and 3168 demonstrates the value of (pi symbol 22/7 omitted) in terms of this number, for 144 x 7 = 1008 and 144 x 22 = 3168.

3168 in Plato's city
A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040. This is the ideal number of citizens in the state and serves other purposes in con­/ Page 79 / nection with the framing of laws and standards. The reason why it is most suitable for all matters of division is that for its size it has the greatest number of divisors, 60 in all, including the entire decad, the numbers 1 - 10. Another property of the number 5040 is that it is the radius of a circle with circumference 31,680. Further examina­tion of the numerical foundations of Plato's state shows that the scheme to which he refers is the ancient plan of the cosmic temple.
The lawgivers in Plato's state are reminded that the perfect human society would be one in which all possessions, wives, children, land and chattels were held in common, where all the citizens were of one mind and acted together so harmoniously that it were as if eyes, ears and hands were also common property. To keep this ideal alive is the function of the prophet. Human nature and conditioning, however, demand a more practical alternative, 'very near to the first in immortality and second to it in merit'. This is provided in Laws V.
Plato's state is arranged in a manner that can scarcely be under­stood literally, and is obviously intended, like the New Jerusalem, as a geometer's allegory. The land is all divided into twelve parts, each dedicated to one of the twelve gods and populated by one of the twelve tribes of the 5040 households. The city is similarly divided, forming a microcosm of the state as a whole. In the centre of the city is the acropolis and 'from this centre he must divide up the city itself and the whole country into twelve parts. The twelve parts must be equalised by making those of good land small and those of inferior land greater. He must mark off 5040 allotments, and each of these he must cut in two and join two pieces to form the allotments, so that each contains a near piece and a distant piece - joining the piece next to the city with the piece furthest off, the second nearest with the second furthest, and so on with the rest.'
The only way in which this division can be represented is by a circle of radius 5040, a hundred times larger than that of Stonehenge measured in feet; the perimeter of this circle is 31 ,680. In Fig. 24 (Figure 24 omitted) the radius of the circle should be divided equally into 5040 parts to produce 5040 concentric circles. These are bisected into 10,080 semi­circles by the diameter and positioned out in Plato's manner into 5040 double allotments, each of equal area.
In this scheme 31,680 is not only the circumference of the circular state, but also the area of each of its 2520 pairs of rings, proving Plato's assertion that linear and area pleasurements can be made / Page 80 / (Figure 24 omitted) commensurable by number. The entire circle is divided into two halves, each containing 39,916,800 square units of land. These numbers, which are inherent in the New Jerusalem scheme, have the following significance:
31,680 is divisible by all the numbers1-12 with the exception of 7

5040 = 1 x 2 x 3 x 4 x 5 x 6 x 7

39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11

5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus.

FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.

 

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
2
OUR
54
18
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
2
OU
36
9
9
1
R
18
9
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

 

--
9
F
I
F
T
Y
--
F
O
U
R
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
-
-
-
-
6
-
-
+
=
15
1+5
=
6
=
6
=
6
-
-
-
9
-
-
-
-
-
15
-
-
+
=
24
2+4
=
6
=
6
=
6
--
9
F
I
F
T
Y
--
F
O
U
R
-
-
-
-
-
--
-
-
-
-
-
-
6
-
6
2
7
-
6
-
3
9
+
=
39
3+9
=
12
1+2
3
=
3
-
-
6
-
6
20
25
-
6
-
21
18
+
=
102
1+0+2
=
3
=
3
=
3
--
9
F
I
F
T
Y
--
F
O
U
R
-
-
-
-
-
--
-
-
-
-
-
-
6
9
6
20
25
-
6
15
21
18
+
=
126
1+2+6
=
9
=
9
=
9
-
-
6
9
6
2
7
-
6
6
3
9
+
=
54
5+4
=
9
=
9
=
9
-
9
F
I
F
T
Y
-
F
O
U
R
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
2
-
--
-
--
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
-
-
-
-
--
-
--
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
6
-
6
-
-
-
6
6
-
-
-
-
6
occurs
x
4
=
24
2+4
6
-
-
-
-
-
-
7
--
-
-
--
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
--
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
18
9
F
I
F
T
Y
-
F
O
U
R
-
-
27
-
-
9
-
54
-
27
1+8
-
-
9
-
-
-
--
-
-
-
9
-
-
2+7
-
-
-
-
5+4
-
2+7
9
9
F
I
F
T
Y
-
F
O
U
R
-
-
9
-
-
9
-
9
-
9
-
-
6
9
6
2
7
--
6
6
3
9
-
-
-
-
-
-
-
-
-
-
9
9
F
I
F
T
Y
-
F
O
U
R
-
-
9
-
-
9
-
9
-
9

 

 

--
9
F
I
F
T
Y
--
F
O
U
R
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
-
-
-
-
6
-
-
+
=
15
1+5
=
6
=
6
=
6
-
-
-
9
-
-
-
-
-
15
-
-
+
=
24
2+4
=
6
=
6
=
6
--
9
F
I
F
T
Y
--
F
O
U
R
-
-
-
-
-
--
-
-
-
-
-
-
6
-
6
2
7
-
6
-
3
9
+
=
39
3+9
=
12
1+2
3
=
3
-
-
6
-
6
20
25
-
6
-
21
18
+
=
102
1+0+2
=
3
=
3
=
3
--
9
F
I
F
T
Y
--
F
O
U
R
-
-
-
-
-
--
-
-
-
-
-
-
6
9
6
20
25
-
6
15
21
18
+
=
126
1+2+6
=
9
=
9
=
9
-
-
6
9
6
2
7
-
6
6
3
9
+
=
54
5+4
=
9
=
9
=
9
-
9
F
I
F
T
Y
-
F
O
U
R
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
--
-
--
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
-
-
6
-
6
-
-
-
6
6
-
-
-
-
6
occurs
x
4
=
24
2+4
6
-
-
-
-
-
-
7
--
-
-
--
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
9
-
-
-
-
-
-
-
9
-
-
9
occurs
x
2
=
18
1+8
9
18
9
F
I
F
T
Y
-
F
O
U
R
-
-
27
-
-
9
-
54
-
27
1+8
-
-
9
-
-
-
--
-
-
-
9
-
-
2+7
-
-
-
-
5+4
-
2+7
9
9
F
I
F
T
Y
-
F
O
U
R
-
-
9
-
-
9
-
9
-
9
-
-
6
9
6
2
7
--
6
6
3
9
-
-
-
-
-
-
-
-
-
-
9
9
F
I
F
T
Y
-
F
O
U
R
-
-
9
-
-
9
-
9
-
9

 

 

2
FIFTY FOUR
126
54
9
1
FORTYFIVE
126
54
9

 

A

MAZE

IN

ZAZAZA ENTER ZAZAZA

ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
 1+0 1+1 1+2 1+3 1+4 1+5 1+6 1+7 1+8 1+9 2+0 2+1 2+2 2+3 2+4 2+5 2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

A

HISTORY OF GOD

Karen Armstrong

The God of the Mystics

Page 250

"(The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."  

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
 1+0 1+1 1+2 1+3 1+4 1+5 1+6 1+7 1+8 1+9 2+0 2+1 2+2 2+3 2+4 2+5 2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
 1+0 1+1 1+2 1+3 1+4 1+5 1+6 1+7 1+8 1+9 2+0 2+1 2+2 2+3 2+4 2+5 2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
 1+0 1+1 1+2 1+3 1+4 1+5 1+6 1+7 1+8 1+9 2+0 2+1 2+2 2+3 2+4 2+5 2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

SILVER AND GOLD HAVE I NONE BUT SUCH AS I HAVE GIVE I THEE

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

A
-
J
-
S
-
-
-
-
-
--
1
-
1
-
1
+
=
3
-
=
3
A
-
J
-
S
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
B
-
K
-
T
-
-
-
-
-
--
2
-
2
-
2
+
=
6
-
=
6
B
-
K
-
T
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
C
-
L
-
U
-
-
-
-
-
--
3
-
3
-
3
+
=
9
-
=
9
C
-
L
-
U
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
D
-
M
-
V
-
-
-
-
-
--
4
-
4
-
4
+
=
12
1+2
=
3
D
-
M
-
V
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
E
-
N
-
W
-
-
-
-
-
--
5
-
5
-
5
+
=
15
1+5
=
6
E
-
N
-
W
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
F
-
O
-
X
-
-
-
-
-
--
6
-
6
-
6
+
=
18
1+8
=
9
F
-
O
-
X
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
G
-
P
-
Y
-
-
-
-
-
--
7
-
7
-
7
+
=
21
2+1
=
3
G
-
P
-
Y
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
H
-
Q
-
Z
-
-
-
-
-
--
8
-
8
-
8
+
=
24
2+4
=
6
H
-
Q
-
Z
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
I
-
R
-
-
-
-
-
-
-
--
9
-
9
-
-
+
=
18
1+8
=
9
I
-
R
-
-
-
-
-
-
-
--
-
-
-
-
-
-
-
126
-
-
54
-
-
-
-
-
-
-
1+2+6
-
-
5+4
-
-
-
-
-
-
-
9
-
-
9

 

 

3
3
-
A+B+C
6
6
6
2
--
2
D+E
9
9
9
3
3
-
F+G+H
21
21
3
1
-
1
I
9
9
9
3
3
-
J+K+L
33
6
6
2
-
2
M+N
27
9
9
2
2
-
O+P
31
13
4
3
-
3
QRS
54
18
9
3
-
3
TUV
63
9
9
3
-
3
WXY
72
18
9
1
1
-
Z
26
8
8
26
12
14
First Total
351
126
81
2+6
1+2
1+4
Add to Reduce
3+5+1
1+2+6
8+1
8
3
5
Reduce to Deduce
9
9
9

 

 

3
A+B+C
6
6
6
-
D+E
-
-
-
3
F+G+H
21
21
3
-
I
-
-
-
3
J+K+L
33
6
6
-
M+N
-
-
-
2
O+P
31
13
4
-
QRS
-
-
-
-
TUV
-
-
-
-
WXY
-
-
-
1
Z
26
8
8
12
First Total
117
54
27
2+6
Add to Reduce
1+1+7
5+4
2+7
8
Reduce to Deduce
9
9
9

 

 

-
A+B+C
-
-
-
2
D+E
9
9
9
-
F+G+H
-
-
-
1
I
9
9
9
-
J+K+L
-
-
-
2
M+N
27
9
9
-
O+P
-
-
-
3
QRS
54
18
9
3
TUV
63
9
9
3
WXY
72
18
9
-
Z
-
-
-
14
First Total
234
72
54
1+4
Add to Reduce
2+3+4
7+2
5+4
5
Reduce to Deduce
9
9
9

 

 

-

4

ZERO

64

28

1
1
3

ONE
34
16
7
2
3

TWO
58
13
4
3
5

THREE
56
29
2
4
4

FOUR
60
24
6
5
4

FIVE
42
24
6
6
3

SIX
52
16
7
7
5

SEVEN
65
20
2
8
5

EIGHT
49
31
4
9
4

NINE
42
24
6
45
40
-
522
225
45
4+5
4+0
-
5+2+2
2+2+5
4+5
9
4
-
9
9
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

BEYOND THE VEIL ANOTHER VEIL AND THEN A VEIL BEYOND

 

 

-
15
M
Y
T
H
-
A
N
D
-
L
A
N
G
U
A
G
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
5
-
-
-
-
5
-
-
-
-
-
+
=
18
1+8
=
9
=
9
=
9
-
-
-
-
-
8
-
-
14
-
-
-
-
14
-
-
-
-
-
+
=
36
3+6
=
9
=
9
=
9
-
15
M
Y
T
H
-
A
N
D
-
L
A
N
G
U
A
G
E
-
-
-
-
-
-
-
-
-
-
-
-
4
7
2
-
-
1
-
4
-
3
1
-
7
3
1
7
5
+
=
45
4+5
=
9
-
9
=
9
-
-
13
25
20
-
-
1
-
4
-
12
1
-
7
21
1
7
5
+
=
117
1+1+7
=
9
-
9
=
9
-
15
M
Y
T
H
-
A
N
D
-
L
A
N
G
U
A
G
E
-
-
-
-
-
-
-
-
-
-
-
-
13
25
20
8
-
1
14
4
-
12
1
14
7
21
1
7
5
+
=
153
1+5+3
=
9
-
9
=
9
-
-
4
7
2
8
-
1
5
4
-
3
1
5
7
3
1
7
5
+
=
63
6+3
=
9
=
9
=
9
-
15
M
Y
T
H
-
A
N
D
-
L
A
N
G
U
A
G
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
-
1
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
4
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
-
-
5
-
-
  
-
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
-
-
7
-
-
-
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
15
15
M
Y
T
H
-
A
N
D
-
L
A
N
G
U
A
G
E
-
-
3O
-
-
15
-
63
-
36
1+5
1+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3+0
-
-
1+5
-
6+3
-
3+6
6
6
M
Y
T
H
-
A
N
D
-
L
A
N
G
U
A
G
E
-
-
3
-
-
6
-
9
-
9
-
-
4
7
2
8
-
1
5
4
-
3
1
5
7
3
1
7
5
-
-
-
-
-
-
=
-
=
-
6
6
M
Y
T
H
-
A
N
D
-
L
A
N
G
U
A
G
E
-
-
3
-
-
6
-
9
-
9

 

 

4

GODS
45
18
9
5

WORLD
72
27
9
5

NAVEL
54
18
9
8

OMPHALOS
99
36
9
6

ORACLE
54
27
9
6

DELPHI
54
36
9
6

DELPH
45
27
9
6

FIELD
36
27
9
6

ELEUSIS
90
27
9
7

NECHUNG
72
36
9

 

 

15
 MYTH AND LANGUAGE
153
63
9
15

NAVEL OF THE WORLD
180
72
9
17

THE ORACLE OF DELPHI

162
90
9
19

THE OMPHALOS OF DELPHI

207
99
9
17

THE FIELD OF ELEUSIS
54
36
9
13

NECHUNG ORACLE
153
72
9
13

ORACLE OF THE GODS

153
72
9

 

 

O
=
6
6
ORACLE
54
27
9
O
=
6
2
OF
21
12
3
T
=
2
3
THE
33
15
6
G
=
7
4
GODS
45
18
9
-
-
21
15
Add to Reduce
153
72
27
-
-
2+1
1+5
Reduce to Deduce
1+5+3
7+2
2+7
-
-
3
6
Essence of Number
9
9
9

 

 

15
O
R
A
C
L
E
-
O
F
-
T
H
E
-
G
O
D
S
-
-
-
-
-
--
-
-
-
-
-
6
-
-
-
-
-
-
6
-
-
-
8
-
-
-
6
-
1
+
=
27
2+7
=
9
-
9
-
9
-
15
-
-
-
-
-
-
15
-
-
-
8
-
-
-
15
-
19
+
=
72
7+2
=
9
-
9
-
9
15
O
R
A
C
L
E
-
O
F
-
T
H
E
-
G
O
D
S
-
-
-
-
-
--
-
-
-
-
-
-
9
1
3
3
5
-
-
6
-
2
-
5
-
7
-
4
-
+
=
45
4+5
=
9
-
9
-
9
-
-
18
1
3
12
5
-
-
6
-
20
-
5
-
7
-
4
-
+
=
81
8+1
=
9
-
9
-
9
15
O
R
A
C
L
E
-
O
F
-
T
H
E
-
G
O
D
S
-
-
-
-
-
--
-
-
-
-
-
15
18
1
3
12
5
-
15
6
-
20
8
5
-
7
15
4
19
+
=
153
1+5+3
=
9
-
9
-
9
-
6
9
1
3
3
5
-
6
6
-
2
8
5
-
7
6
4
1
+
=
72
7+2
=
9
-
9
-
9
15
O
R
A
C
L
E
-
O
F
-
T
H
E
-
G
O
D
S
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
2
``-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
2
-
-
-
-
3
3
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
4
-
-
-
-
-
-
5
-
-
-
-
--
-
5
-
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
6
-
-
-
-
-
-
6
6
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
4
=
24
2+4
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
-
9
15
O
R
A
C
L
E
--
O
F
--
T
H
E
--
G
O
D
S
-
-
45
-
-
15
-
72
-
45
1+5
-
9
-
-
-
-
--
-
-
--
-
-
-
--
-
-
-
-
-
-
4+5
-
-
1+5
-
7+2
-
4+5
6
O
R
A
C
L
E
-
O
F
-
T
H
E
-
G
O
D
S
-
-
9
-
-
6
-
9
-
9
-
6
9
1
3
3
5
-
6
6
-
2
8
5
-
7
6
4
1
-
-
-
-
-
-
-
-
-
-
6
O
R
A
C
L
E
-
O
F
-
T
H
E
-
G
O
D
S
-
-
9
-
-
6
-
9
-
9

 

 

 

THE DIVINE FEMININE

1978

 

 

-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
+
=
30
3+0
=
3
-
3
-
3
-
`-
-
15
-
-
-
15
-
-
15
-
-
15
15
-
+
=
75
7+5
=
12
1+2
3
-
3
-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
`-
7
-
4
-
7
-
-
4
-
-
7
-
-
4
+
=
33
3+3
=
6
-
6
-
6
-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
`-
7
15
4
-
7
15
-
4
15
-
7
15
15
4
+
=
108
1+0+8
=
9
-
9
-
9
-
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
+
=
63
6+3
=
9
-
9
-
9
-
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
-
-
-
-
-
4
-
-
4
occurs
x
3
=
12
1+2
3
5
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
5
FIVE
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
6
occurs
x
5
=
30
3+0
3
-
-
7
-
-
-
7
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
-
-
``-
-
-
-
-
-
-
-
-
8
EIGHT
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
-
-
-
-
-
-
28
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
17
-
-
11
-
63
-
9
2+8
1+1
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
1+7
-
-
1+1
-
6+3
-
-
10
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9
1+0
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
-
-
-
-
-
-
-
-
-
-
1
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9

 

 

11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
+
=
30
3+0
=
3
-
3
-
3
`-
-
15
-
-
-
15
-
-
15
-
-
15
15
-
+
=
75
7+5
=
12
1+2
3
-
3
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
`-
7
-
4
-
7
-
-
4
-
-
7
-
-
4
+
=
33
3+3
=
6
-
6
-
6
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
`-
7
15
4
-
7
15
-
4
15
-
7
15
15
4
+
=
108
1+0+8
=
9
-
9
-
9
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
+
=
63
6+3
=
9
-
9
-
9
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
-
-
-
-
-
4
-
-
4
occurs
x
3
=
12
1+2
3
-
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
6
occurs
x
5
=
30
3+0
3
-
7
-
-
-
7
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
11
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
17
-
-
11
-
63
-
9
1+1
-
6
-
-
-
6
-
-
6
-
-
6
6
-
-
-
1+7
-
-
1+1
-
6+3
-
-
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9
-
7
6
4
-
7
6
-
4
6
-
7
6
6
4
-
-
-
-
-
-
-
-
-
-
2
G
O
D
-
G
O
-
D
O
-
G
O
O
D
-
-
8
-
-
2
-
9
-
9

 

 

-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
9
1
-
-
9
-
9
5
-
-
-
-
-
+
=
33
3+3
=
6
=
6
=
6
-
-
-
-
-
-
-
9
19
-
-
9
-
9
14
-
-
-
-
-
+
=
60
6+0
=
6
=
6
=
6
-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
4
1
1
2
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
30
3+0
=
3
=
3
=
3
-
-
13
1
1
20
-
-
-
-
4
-
22
-
-
5
-
12
1
23
+
=
102
1+0+2
=
3
=
3
=
3
-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
13
1
1
20
-
9
19
-
4
9
22
9
14
5
-
12
1
23
+
=
162
1+6+2
=
9
=
9
=
9
-
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
+
=
63
6+3
=
9
=
9
=
9
-
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
21
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
24
-
-
15
-
63
-
27
2+1
2+1
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
2+4
-
-
1+5
-
6+3
-
2+7
3
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9
-
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
3
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9

 

 

15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
9
1
-
-
9
-
9
5
-
-
-
-
-
+
=
33
3+3
=
6
=
6
=
6
-
-
-
-
-
-
9
19
-
-
9
-
9
14
-
-
-
-
-
+
=
60
6+0
=
6
=
6
=
6
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
4
1
1
2
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
30
3+0
=
3
=
3
=
3
-
13
1
1
20
-
-
-
-
4
-
22
-
-
5
-
12
1
23
+
=
102
1+0+2
=
3
=
3
=
3
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
13
1
1
20
-
9
19
-
4
9
22
9
14
5
-
12
1
23
+
=
162
1+6+2
=
9
=
9
=
9
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
+
=
63
6+3
=
9
=
9
=
9
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
4
=
4
=
4
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
4
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
15
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
24
-
-
15
-
63
-
27
2+1
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
-
-
-
-
2+4
-
-
1+5
-
6+3
-
2+7
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9
-
4
1
1
2
-
9
1
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
6
M
A
A
T
-
I
S
-
D
I
V
I
N
E
-
L
A
W
-
-
6
-
-
6
-
9
-
9

 

 

-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
6
5
1
-
9
-
5
-
-
+
=
49
4+9
=
13
1+3
4
=
4
-
-
-
9
-
9
14
-
-
-
15
14
19
-
9
-
14
-
-
+
=
103
1+0+3
=
4
=
4
=
4
-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
4
-
4
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
32
3+2
=
5
=
5
=
5
-
-
4
-
22
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
50
5+0
=
5
=
5
=
5
-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
3
15
14
19
3
9
5
14
3
5
+
=
153
1+5+3
=
9
=
9
=
9
-
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
+
=
81
8+1
=
9
=
9
=
9
-
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
-
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
5
occurs
x
6
=
30
3+0
3
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
17
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
28
-
-
16
-
81
-
36
1+7
1+6
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
2+8
-
-
1+6
-
8+1
-
3+6
8
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
10
-
-
7
-
9
-
9
-
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
-
-
1+0
-
-
-
-
-
-
-
8
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
1
-
-
7
-
9
-
9

 

 

16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
-
-
6
5
1
-
9
-
5
-
-
+
=
49
4+9
=
13
1+3
4
=
4
-
-
9
-
9
14
-
-
-
15
14
19
-
9
-
14
-
-
+
=
103
1+0+3
=
4
=
4
=
4
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
4
-
4
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
32
3+2
=
5
=
5
=
5
-
4
-
22
-
-
5
-
3
-
-
-
3
-
5
-
3
5
+
=
50
5+0
=
5
=
5
=
5
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
-
3
15
14
19
3
9
5
14
3
5
+
=
153
1+5+3
=
9
=
9
=
9
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
+
=
81
8+1
=
9
=
9
=
9
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
3
-
-
-
3
-
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
5
occurs
x
6
=
30
3+0
3
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
9
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
16
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
28
-
-
16
-
81
-
36
1+6
-
-
-
-
5
5
-
-
-
5
-
-
-
5
5
-
5
-
-
2+8
-
-
1+6
-
8+1
-
3+6
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
10
-
-
7
-
9
-
9
-
4
9
4
9
5
5
-
3
6
5
1
3
9
5
5
3
5
-
-
1+0
-
-
-
-
-
-
-
7
D
I
V
I
N
E
-
C
O
N
S
C
I
E
N
C
E
-
-
1
-
-
7
-
9
-
9

 

 

-
16
D
I
V
I
N
E
--
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
8
6
-
-
8
-
+
=
27
2+7
=
9
-
9
=
9
-
-
-
9
-
9
14
-
-
-
8
15
-
-
8
-
+
=
99
9+9
=
18
1+8
9
=
9
-
16
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
4
-
4
-
-
5
-
2
-
-
3
7
-
2
+
=
32
3+2
=
9
=
9
=
9
-
-
4
-
22
-
-
5
-
20
-
-
21
7
-
20
+
=
45
4+5
=
9
=
9
=
9
-
16
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
20
8
15
21
7
8
20
+
=
162
1+6+2
=
9
=
9
=
9
-
-
4
9
4
9
5
5
-
2
8
6
3
7
8
2
+
=
72
7+2
=
9
=
9
=
9
-
16
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
3+0
10
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
-
-
-
8
-
-
-
8
-
-
-
8
occurs
x
2
=
16
=
7
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
2+7
9
1
13
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
44
-
-
13
-
72
-
54
-
1+3
-
9
-
9
-
-
-
-
-
-
-
-
-
-
-
-
4+4
-
-
1+3
-
7+2
-
5+4
1
4
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
8
-
-
4
-
9
-
9
-
-
4
9
4
9
5
5
-
2
8
6
3
7
8
2
+
=
72
7+2
=
9
=
9
=
9
1
4
D
I
V
I
N
E
-
T
H
O
U
G
H
T
-
-
8
-
-
4
-
9
-
9

 

 

-
6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
+
=
23
2+3
=
5
-
5
-
5
-
-
-
9
-
9
14
-
+
=
32
3+2
=
5
-
5
-
5
-
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
+
=
13
1+3
=
4
-
4
-
4
-
-
4
-
22
-
-
5
+
=
31
3+1
=
4
-
4
-
4
-
6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
+
=
63
6+3
=
9
-
9
-
9
-
-
4
9
4
9
5
5
+
=
36
4+5
=
9
-
9
-
9
-
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
4
occurs
x
2
=
8
-
8
-
-
-
-
-
-
5
5
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
8
EIGHT
-
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
27
9
D
I
V
I
N
E
-
-
18
-
-
9
-
36
-
18
2+7
-
-
9
-
9
-
-
-
-
1+8
-
-
-
-
3+6
-
1+8
9
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9
-
-
4
9
4
9
5
5
-
-
-
-
-
-
-
-
-
-
9
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9

 

 

6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
+
=
23
2+3
=
5
=
5
=
5
-
-
9
-
9
14
-
+
=
32
3+2
=
5
=
5
=
5
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
+
=
13
1+3
=
4
=
4
=
4
-
4
-
22
-
-
5
+
=
31
3+1
=
4
=
4
=
4
6
D
I
V
I
N
E
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
+
=
63
6+3
=
9
=
9
=
9
-
4
9
4
9
5
5
+
=
36
4+5
=
9
=
9
=
9
6
D
I
V
I
N
E
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
5
occurs
x
2
=
10
1+0
1
-
-
9
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
9
D
I
V
I
N
E
-
-
18
-
-
9
-
36
-
18
-
-
9
-
9
-
-
-
-
1+8
-
-
-
-
3+6
-
1+8
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9
-
4
9
4
9
5
5
-
-
-
-
-
-
-
-
-
-
9
D
I
V
I
N
E
-
-
9
-
-
9
-
9
-
9

 

 

-
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
-
8
6
-
-
8
-
+
=
22
2+2
=
4
=
4
=
4
-
-
-
8
15
-
-
8
-
+
=
31
3+1
=
4
=
4
=
4
-
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
2
-
-
3
7
-
2
+
=
14
1+4
=
5
=
5
=
5
-
-
20
-
-
21
7
-
20
+
=
68
6+8
=
14
1+4
5
=
5
-
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
20
8
15
21
7
8
20
+
=
99
9+9
=
18
1+8
9
=
9
-
-
2
8
6
3
7
8
2
+
=
36
3+6
=
9
=
9
=
9
-
7
T
H
O
U
G
H
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
2
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
4
FOUR
2
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
FIVE
3
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
-
8
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
-
-
19
7
T
H
O
U
G
H
T
-
-
26
-
-
7
-
36
-
27
1+9
-
-
-
-
-
-
-
-
-
-
2+6
-
-
-
-
3+6
-
2+7
10
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9
1+0
-
2
8
6
3
7
8
2
-
-
-
-
-
-
-
-
-
-
1
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9

 

 

7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
-
8
6
-
-
8
-
+
=
22
2+2
=
4
=
4
=
4
-
-
8
15
-
-
8
-
+
=
31
3+1
=
4
=
4
=
4
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
2
-
-
3
7
-
2
+
=
14
1+4
=
5
=
5
=
5
-
20
-
-
21
7
-
20
+
=
68
6+8
=
14
1+4
5
=
5
7
T
H
O
U
G
H
T
-
-
-
-
-
--
-
-
-
-
-
20
8
15
21
7
8
20
+
=
99
9+9
=
18
1+8
9
=
9
-
2
8
6
3
7
8
2
+
=
36
3+6
=
9
=
9
=
9
7
T
H
O
U
G
H
T
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
2
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
7
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
8
-
-
-
8
-
-
-
8
occurs
x
2
=
16
1+6
7
7
T
H
O
U
G
H
T
-
-
26
-
-
7
-
36
-
27
-
-
-
-
-
-
-
-
-
-
2+6
-
-
-
-
3+6
-
2+7
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9
-
2
8
6
3
7
8
2
-
-
-
-
-
-
-
-
-
-
7
T
H
O
U
G
H
T
-
-
8
-
-
7
-
9
-
9

 

 

-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
+
=
23
2+3
=
5
=
5
=
5
-
-
-
9
-
9
14
-
-
-
-
-
+
=
32
3+2
=
5
=
5
=
5
-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
22
2+2
=
4
=
4
=
4
-
-
4
-
22
-
-
5
-
12
1
23
+
=
67
6+7
=
13
1+3
4
=
4
-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
12
1
23
+
=
99
9+9
=
18
1+8
9
=
9
-
-
4
9
4
9
5
5
-
3
1
5
+
=
45
4+5
=
9
=
9
=
9
-
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
23
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
45
-
27
2+3
-
-
9
-
9
-
-
-
-
-
-
-
-
2+2
-
-
-
-
4+5
-
2+7
5
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9
-
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
5
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9

 

 

9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
+
=
23
2+3
=
5
=
5
=
5
-
-
9
-
9
14
-
-
-
-
-
+
=
32
3+2
=
5
=
5
=
5
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
4
-
4
-
-
5
-
3
1
5
+
=
22
2+2
=
4
=
4
=
4
-
4
-
22
-
-
5
-
12
1
23
+
=
67
6+7
=
13
1+3
4
=
4
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
-
12
1
23
+
=
99
9+9
=
18
1+8
9
=
9
-
4
9
4
9
5
5
-
3
1
5
+
=
45
4+5
=
9
=
9
=
9
9
D
I
V
I
N
E
-
L
A
W
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
3
-
-
-
-
3
occurs
x
1
=
3
=
3
-
4
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
9
-
9
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
45
-
27
-
-
9
-
9
-
-
-
-
-
-
-
-
2+2
-
-
-
-
4+5
-
2+7
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9
-
4
9
4
9
5
5
-
3
1
5
-
-
-
-
-
-
-
-
-
-
9
D
I
V
I
N
E
-
L
A
W
-
-
4
-
-
9
-
9
-
9

 

 

-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
1
6
5
+
=
35
3+5
=
8
=
8
=
8
-
-
-
9
-
9
14
-
-
-
-
-
19
15
14
+
=
80
8+0
=
8
=
8
=
8
-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
4
-
4
-
-
5
-
9
5
1
-
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
-
4
-
22
-
-
5
-
18
5
1
-
-
-
+
=
55
5+5
=
10
1+0
1
=
1
-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
4
9
22
9
14
5
-
18
5
1
19
15
14
+
=
135
1+3+5
=
9
=
9
=
9
-
-
4
9
4
9
5
5
-
9
5
1
1
6
5
+
=
63
6+3
=
9
=
9
=
9
-
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
FOUR
4
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
9
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
20
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
25
-
-
12
-
63
-
27
2+0
1+2
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
2+5
-
-
1+2
-
6+3
-
2+7
2
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9
-
-
4
9
4
9
5
5
-
9
5
1
1
6
5
-
-
-
-
-
-
-
-
-
-
2
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9

 

 

12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
-
9
-
9
5
-
-
-
-
-
1
6
5
+
=
35
3+5
=
8
=
8
=
8
-
-
9
-
9
14
-
-
-
-
-
19
15
14
+
=
80
8+0
=
8
=
8
=
8
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
4
-
4
-
-
5
-
9
5
1
-
-
-
+
=
28
2+8
=
10
1+0
1
=
1
-
4
-
22
-
-
5
-
18
5
1
-
-
-
+
=
55
5+5
=
10
1+0
1
=
1
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
--
-
-
-
-
-
4
9
22
9
14
5
-
18
5
1
19
15
14
+
=
135
1+3+5
=
9
=
9
=
9
-
4
9
4
9
5
5
-
9
5
1
1
6
5
+
=
63
6+3
=
9
=
9
=
9
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1
-
-
-
-
1
occurs
x
2
=
2
=
2
-
4
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
=
6
-
-
9
-
9
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
12
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
25
-
-
12
-
63
-
27
1+2
-
-
-
-
5
5
-
-
5
-
-
-
5
-
-
2+5
-
-
1+2
-
6+3
-
2+7
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9
-
4
9
4
9
5
5
-
9
5
1
1
6
5
-
-
-
-
-
-
-
-
-
-
3
D
I
V
I
N
E
-
R
E
A
S
O
N
-
-
7
-
-
3
-
9
-
9

 

 

4
GODS
45
18
9
1
I
9
9
9
5
VOICE
54
27
9
10
Add to Reduce
108
54
27
1+0
Reduce to Deduce
1+0+8
5+4
2+7
1
Essence of Number
9
9
9

 

 

-`
10
G
O
D
-
I
-
V
O
I
C
E
-
-
-
-
-
--
-
-
-
-
-````
-
-
6
-
-
9
-
-
6
9
-
-
+
=
31
3+1
=
4
=
4
=
4
-
-
-
15
-
-
9
-
-
15
9
-
-
+
=
67
6+7
=
13
1+3
4
=
4
-
10
G
O
D
-
I
-
V
O
I
C
E
-
-
-
-
-
--
-
-
-
-
-
-
7
-
4
-
-
-
4
-
-
3
5
+
=
23
2+3
=
5
=
5
=
5
-
-
7
-
4
-
-
-`
22
-
-
3
5
+
=
41
4+1
=
5
=
5
=
5
-
10
G
O
D
-
I
-
V
O
I
C
E
-
-
-
-
-
--
-
-
-
-
-
-
7
15
4
-
9
-
22
15
9
3
5
+
=
108
1+0+8
=
9
=
9
=
9
-
-
7
6
4
-
9
-
4
6
9
3
5
+
=
54
5+4
=
9
=
9
=
9
-
10
G
O
D
-
I
-
V
O
I
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
4
-
-
-
4
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
--
-
6
-
-
-
-
-
6
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
9
occurs
x
2
=
18
1+8
9
10
10
G
O
D
-
I
-
V
O
I
C
E
-
-
35
-
-
10
-
54
-
36
1+0
1+0
-
-
-
-
9
-
-
-
9
-
-
-
-
3+5
-
-
1+0
-
5+4
-
3+6
1
1
G
O
D
-
I
-
V
O
I
C
E
-
-
8
-
-
1
-
9
-
9
-
-
7
6
4
-
9
-
4
6
9
3
5
-
-
-
-
-
-
-
-
-
-
1
1
G
O
D
-
I
-
V
O
I
C
E
-
-
8
-
-
1
-
9
-
9

 

 

-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-````
-
-
6
-
1
-
-
9
-
9
5
-
-
-
6
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
-
15
-
19
-
-
9
-
9
14
-
-
-
15
-
-
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
-
4
-
-
4
-
4
-
-
5
-
3
-
4
5
+
=
36
3+6
=
9
=
9
=
9
-
-
7
-
4
-
-
4
-
22
-
-
5
-
12
-
22
5
+
=
81
8+1
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
7
15
4
19
-
4
9
22
9
14
5
-
12
15
22
5
+
=
162
1+6+2
=
9
=
9
=
9
-
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
+
=
72
7+2
=
9
=
9
=
9
-
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
10
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
35
-
-
14
-
72
-
36
1+0
1+4
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
3+5
-
-
1+4
-
7+2
-
3+6
1
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9
-
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
-
-
-
-
-
--
-
-
-
-
1
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9

 

 

14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
-
6
-
1
-
-
9
-
9
5
-
-
-
6
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
15
-
19
-
-
9
-
9
14
-
-
-
15
-
-
+
=
81
8+1
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
7
-
4
-
-
4
-
4
-
-
5
-
3
-
4
5
+
=
36
3+6
=
9
=
9
=
9
-
7
-
4
-
-
4
-
22
-
-
5
-
12
-
22
5
+
=
81
8+1
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
7
15
4
19
-
4
9
22
9
14
5
-
12
15
22
5
+
=
162
1+6+2
=
9
=
9
=
9
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
+
=
72
7+2
=
9
=
9
=
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
-
-
5
occurs
x
3
=
15
1+5
6
--
-
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
14
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
35
-
-
14
-
72
-
36
1+4
-
-
-
-
-
-
9
-
9
-
-
-
-
-
-
-
-
-
3+5
-
-
1+4
-
7+2
-
3+6
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9
-
7
6
4
1
-
4
9
4
9
5
5
-
3
6
4
5
-
-
-
-
-
--
-
-
-
-
5
G
O
D
S
-
D
I
V
I
N
E
-
L
O
V
E
-
-
8
-
-
5
-
9
-
9

 

 

ONE LOVE

One Love appears on the album One Love Peace Concert

(Bob Marley)

One Love, One Heart
Let's get together and feel all right
Hear the children crying (One Love)
Hear the children crying (One Heart)
Sayin' give thanks and praise to the Lord and I will feel all right
Sayin' let's get together and feel all right

Let them all pass all their dirty remarks (One Love)
There is one question I'd really like to ask (One Heart)
Is there a place for the hopeless sinner
Who has hurt all mankind just to save his own?
Believe me

One Love, One Heart
Let's get together and feel all right
As it was in the beginning (One Love)
So shall it be in the end (One Heart)
Give thanks and praise to the Lord and I will feel all right
One more thing

Let's get together to fight this Holy Armageddon (One Love)
So when the Man comes there will be no no doom (One Song)
Have pity on those whose chances grove thinner
There ain't no hiding place from the Father of Creation

Sayin' One Love, One Heart
Let's get together and feel all right
I'm pleading to mankind (One Love)
Oh Lord (One Heart)

Give thanks and praise to the Lord and I will feel all right
Let's get together and feel all right

 

"One Love/People Get Ready" is a song by Bob Marley & The Wailers from their 1977 album Exodus and it has also been released on many of his compilation albums. It has become one of the most influential and known reggae songs ever. The song expressed Bob's beliefs of global unity. Marley was born in the small village of Nine Mile in the Saint Ann Parish, Jamaica.

 

 

`-
4
L
O
V
E
-
-
-
-
-
--
-
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
-
15
-
-
+
=
15
1+5
=
6
=
6
-
4
L
O
V
E
-
-
-
-
-
--
-
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
-
12
-
22
5
+
=
39
3+9
=
12
1+2
3
-
4
L
O
V
E
-
-
-
  
-
--
-
-
-
-
12
15
22
5
+
=
54
5+4
=
9
=
9
-
-
3
6
4
5
+
=
18
1+8
=
9
=
9
-
4
L
O
V
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
2
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
27
4
L
O
V
E
-
-
18
-
-
4
-
18
2+7
-
-
-
-
-
-
-
1+8
-
-
-
-
1+8
9
4
L
O
V
E
-
-
9
-
-
4
-
9

 

 

I

CAN'T STOP LOVING YOU

Jim Reeves 1923 - 1964

I can't stop loving you
I've made up my mind
To live in memori-i-ies
Of old lonesome time

I can't stop wanting you
It's useless to say
So I'll just live my life
In dreams of yesterday

Those happy hours
That we once new
Though long ago-o-o
Still make me blue

They say that time
Heals a broken heart
But time has stood still
Since we've been apart

I can't stop loving you
Done made up my mind
To live in memories
Of old lonesome time

Just can't stop wanting you
It's useless to say-ay
I'll just live my life
In dreams of yesterday

www.lyricmusic.us/index.php?search=songid&id

 

 

4
L
O
V
E
-
-
-
-
-
--
-
-
-
-
6
-
-
+
=
6
-
=
6
=
6
-
-
15
-
-
+
=
15
1+5
=
6
=
6
4
L
O
V
E
-
-
-
-
-
--
-
-
-
3
-
4
5
+
=
12
1+2
=
3
=
3
-
12
-
22
5
+
=
39
3+9
=
12
1+2
3
4
L
O
V
E
-
-
-
-
-
--
-
-
-
12
15
22
5
+
=
54
5+4
=
9
=
9
-
3
6
4
5
+
=
18
1+8
=
9
=
9
4
L
O
V
E
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
-
6
-
-
-
-
6
occurs
x
1
=
6
4
L
O
V
E
-
-
18
-
-
4
-
18
-
-
-
-
-
-
-
1+8
-
-
-
-
1+8
4
L
O
V
E
-
-
9
-
-
4
-
9

 

 

O MY LOVE IS LIKE A RED RED ROSE

Robert Burns 1794

O, my love is like a red, red rose,
That is newly sprung in June.
O, my love is like the melody,
That is sweetly played in tune.

As fair are you, my lovely lass,
So deep in love am I,
And I will love you still, my Dear,
Till all the seas go dry.

Till all the seas go dry, my Dear,
And the rocks melt with the sun!
O I will love you still, my Dear,
While the sands of life shall run

And fare you well, my only Love,
And fare you well a while!
And I will come again, my Love,
Although it were ten thousand mile.

 

Standard English Translation

O, my love is like a red, red rose, That is newly sprung in June. O, my love is like the melody, That is sweetly played in tune. As fair are you, my lovely ...
www.worldburnsclub.com/poems/translations/a_red_red_rose.htm

Burns Original

1

O, my luve's like a red, red rose,
That's newly sprung in June.
O, my luve's like the melodie,
That's sweetly play'd in tune.

2

As fair art thou, my bonie lass,
So deep in luve am I,
And I will luve thee still, my Dear,
Till a' the seas gang dry.

3

Till a' the seas gang dry, my Dear,
And the rocks melt wi' the sun!
O I will luve thee still, my Dear,
While the sands o' life shall run.

4

And fare thee weel, my only Luve,
And fare thee weel a while!
And I will come again, my Luve,
Tho' it were ten thousand mile!

 

 

THE JOURNEYMAN

Wakefield Theatre Royal, 16 and 17 March 2007

 

 

Nature Boy

words and music by eden ahbez

Nat King Cole

There was a boy
A very strange enchanted boy
They say he wandered very far, very far
Over land and sea
A little shy and sad of eye
But very wise was he

And then one day
A magic day he passed my way
And while we spoke of many things
Fools and kings
This he said to me
"the greatest thing you’ll ever learn
Is just to love and be loved in return"

"the greatest thing you’ll ever learn
Is just to love and be loved in return"

 

 

I

AM

ALPHA AND OMEGA

THE BEGINNING AND THE END THE FIRST AND THE LAST

I

AM

THE ROOT AND THE OFFSPRING

OF

DAVID

AND

THE BRIGHT AND MORNING STAR

AND

THE SPIRIT AND THE BRIDE SAY COME

AND

LET THEM THAT HEARETH SAY COME

AND

LET THEM THAT IS ATHIRST COME

AND

WHOSOEVER WILL LET THEM TAKE THE WATER OF LIFE FREELY

 

 

 

 

 

 

 

 

 
 
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